"Let My Home Be My Gallows" by Hans Zimmer, Anthony Hopkins, Libera, The Lyndhurst Orchestra, Gavin Greenaway had its release date on January 1, 2001. This song appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists's "Hannibal - Original Motion Picture Soundtrack" album is number 9 out of 12. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Let My Home Be My Gallows is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let My Home Be My Gallows by Hans Zimmer, Anthony Hopkins, Libera, The Lyndhurst Orchestra, Gavin Greenaway to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| La Bas - Song of the Drowned | Lisa Gerrard | F Major | 2 | 7B | 65 BPM | ||
| Marrakesh Marketplace | Jeff Rona, Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer | B♭ Minor | 5 | 3A | 197 BPM | ||
| The Passenger | Atticus Ross | A♭ Major | 2 | 4B | 90 BPM | ||
| Flight To Nome | Atli Örvarsson | F Major | 5 | 7B | 150 BPM | ||
| Tales of the Future | Vangelis | F Major | 1 | 7B | 79 BPM | ||
| Una Larga Espera | Las Guerreras | A Major | 4 | 11B | 87 BPM | ||
| She Lies By The River | John Debney | G Minor | 0 | 6A | 89 BPM | ||
| Back to Base | Alexandre Desplat | A Minor | 2 | 8A | 141 BPM | ||
| The Painting | Charlie Mole | G Major | 1 | 9B | 121 BPM | ||
| Message for the Queen | Tyler Bates | D Minor | 2 | 7A | 64 BPM | ||
| Ingram Marshall (b. 1942): Fog Tropes | Ingram Marshall, John Adams, Orchestra of St. Luke's | D Major | 1 | 10B | 130 BPM | ||
| Simple Harp Variation No. 1 | Martin Phipps | A♭ Minor | 1 | 1A | 101 BPM | ||
| Opening + War Room | Alberto Iglesias, Nicholas Dodd, American Federation of Musicians, London Voices | B♭ Minor | 3 | 3A | 99 BPM | ||
| Interstellar Suite: Part 1, Day One | Hans Zimmer, Alexander Gibson, Ryan Rubin, Eliane Correa, Pedro Eustache, Gan-ya Ben-gur Akselrod, Aleksandra Suklar, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| Raised by Wolves | Marc Streitenfeld | G Minor | 2 | 6A | 115 BPM | ||
| Submission | Tyler Bates | G Major | 2 | 9B | 106 BPM | ||
| The Burning Heart | Hans Zimmer, Anthony Hopkins, The Lyndhurst Orchestra, Gavin Greenaway | B♭ Minor | 2 | 3A | 81 BPM | ||
| Kyrie | The Choir of the Choir School | F Major | 1 | 7B | 82 BPM | ||
| Encantador | Zapete | G Major | 3 | 9B | 119 BPM | ||
| What Did You Do | Clinton Shorter | B♭ Minor | 2 | 3A | 59 BPM | ||
| Alter Ego | Bellum Sanctus | G Minor | 2 | 6A | 90 BPM | ||
| It's Over - Remastered 2017 | Brad Fiedel | A Major | 2 | 11B | 88 BPM | ||
| The Process | Marc Streitenfeld | D Major | 3 | 10B | 88 BPM | ||
| Juliette | Atli Örvarsson | G Minor | 3 | 6A | 140 BPM |