"The Field" by Abel Korzeniowski had its release date on November 4, 2016. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Field's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Nocturnal Animals (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The Field is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Field by Abel Korzeniowski having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Want to Wake up So Badly | The Newton Brothers | D Major | 2 | 10B | 133 BPM | ||
| She Remembers | Max Richter | F♯ Minor | 0 | 11A | 68 BPM | ||
| I Was Never Going To Go To Africa | Abel Korzeniowski | A Minor | 1 | 8A | 61 BPM | ||
| Reverend Underwood's Eulogy | Jeff Beal | G Major | 1 | 9B | 126 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| The Life You Were Living | Amie Doherty | B♭ Minor | 1 | 3A | 76 BPM | ||
| Start Again | Luca D'Alberto | G Minor | 3 | 6A | 129 BPM | ||
| Astronaut in the Rising Sun | Luca D'Alberto | G Major | 2 | 9B | 110 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Fratres (Version for Strings & Percussion) | Arvo Pärt, I Fiamminghi (The Orchestra of Flanders), Rudolf Werthen | A Minor | 2 | 8A | 89 BPM | ||
| Mother | Rhian Sheehan | F Major | 0 | 7B | 62 BPM | ||
| Losing Her Heart to a Fake | 조영욱과 THE SOUNDTRACKINGS | C Major | 3 | 8B | 72 BPM | ||
| Good Night, Day | Jóhann Jóhannsson, Hildur Guðnadóttir, Air Lyndhurst String Orchestra, Anthony Weeden | A Minor | 1 | 8A | 136 BPM | ||
| Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
| Lullaby Variation | Fernando Velázquez | B♭ Minor | 0 | 3A | 67 BPM | ||
| Drowning | Abel Korzeniowski | D Minor | 3 | 7A | 78 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Duet | Sugar Vendil And Trevor Gureckis | F Major | 1 | 7B | 120 BPM | ||
| Mary Shelley | Amelia Warner | C Major | 2 | 8B | 127 BPM | ||
| Back Hand Of God | Abel Korzeniowski | C Minor | 0 | 5A | 73 BPM | ||
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| Grief | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| If You Came Here To Live (In Memory Of Mary Skinner) | Alex Kozobolis | A♭ Minor | 1 | 1A | 64 BPM |