On January 14, 2026, the song "Detours and Returns" was released by Jordan Raut. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jordan Raut's "Love Will Find a Way" album is number 3 out of 9. On top of that, United States appears to be the country where this track was created. Detours and Returns is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Detours and Returns by Jordan Raut to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Piano Sighed at Midnight | Elyvane | B♭ Major | 3 | 6B | 80 BPM | ||
| Blue Moon (feat. Eric Clapton) | Rod Stewart, Eric Clapton | G Major | 4 | 9B | 96 BPM | ||
| Just For You | Uyama Hiroto | D♭ Major | 3 | 3B | 183 BPM | ||
| Butterfly | Keiko Matsui | B♭ Major | 4 | 6B | 140 BPM | ||
| Gypsy Days | Gino Vannelli | C Minor | 6 | 5A | 147 BPM | ||
| Still I Rise | Soulful Sounds | D♭ Major | 4 | 3B | 112 BPM | ||
| Bittersweet Clarity | Blue Horizon Jazz Orchestra | C Major | 2 | 8B | 82 BPM | ||
| Nightwalk | Blue Knights, Dancing Fantasy | C Major | 5 | 8B | 140 BPM | ||
| Years of Glory | Alan Parsons | E Major | 2 | 12B | 71 BPM | ||
| Still Crazy After All These Years | Montgomery Smith | G Major | 3 | 9B | 123 BPM | ||
| Control Tower | Psychic 恋人 | C Major | 2 | 8B | 69 BPM | ||
| Time After Time | Kobor Gales | F Major | 6 | 7B | 158 BPM | ||
| Sound Department | Brass Division | G Minor | 4 | 6A | 117 BPM | ||
| SONG FOR MEI | Masayoshi Takanaka | G Major | 4 | 9B | 169 BPM | ||
| Clouds Dreams | Dorelax | B Major | 8 | 1B | 128 BPM | ||
| Have I Told You Lately That I Love You | Van Morrison, Martin Winch | G Major | 1 | 9B | 86 BPM | ||
| Fifth Avenue Flow | Café Skyline | G Minor | 3 | 6A | 164 BPM | ||
| Amanecer en la Niebla | MELODI | E♭ Major | 3 | 5B | 108 BPM | ||
| Dimensions of Light | Paul Hardcastle | E♭ Minor | 3 | 2A | 131 BPM | ||
| Gaslamp Stairway | Jazz in Dots | B♭ Major | 2 | 6B | 79 BPM | ||
| Smooth As Silk | Govi | D♭ Minor | 3 | 12A | 126 BPM | ||
| Mighty Is Our God | Amade String Orchestra | G Major | 4 | 9B | 119 BPM | ||
| Firm Foundation | Integrity Worship Musicians | E Major | 2 | 12B | 98 BPM | ||
| Kneeling Knight | Bryan Cumming | B♭ Major | 1 | 6B | 83 BPM | ||
| Just Listen | Bob James | C Minor | 5 | 5A | 94 BPM |