Larry Clinton's ' "Study In Surrealism" was released on its scheduled release date, June 7, 1996. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Study In Surrealism's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Studies In Clinton". In this album, this song's track order is #21. Based on our statistics, Study In Surrealism's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Study In Surrealism by Larry Clinton having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dallas Blues | Woody Herman & His Orchestra | D♭ Major | 4 | 3B | 183 BPM | ||
| The Love That I Have for You | Vaughn Monroe | F Major | 3 | 7B | 83 BPM | ||
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee and His Connecticut Yankees | E Major | 4 | 12B | 113 BPM | ||
| The Big Dipper | Larry Clinton | G Major | 3 | 9B | 170 BPM | ||
| I'm Just Wild About Harry | Billy Cotton & His Band | E♭ Major | 2 | 5B | 137 BPM | ||
| King Porter Stomp | Jimmy Dorsey & His Orchestra | A♭ Major | 6 | 4B | 106 BPM | ||
| It May Sound Silly | Three Belles, Larry Clinton | C Major | 2 | 8B | 171 BPM | ||
| Sweet and Low Down | Paul Whiteman & His Orchestra | E Major | 4 | 12B | 113 BPM | ||
| There, I've Said It Again | Vaughn Monroe | A♭ Major | 2 | 4B | 72 BPM | ||
| Hot Bones and Rice | Charlie Johnson and His Orchestra | A Major | 7 | 11B | 125 BPM | ||
| When You're In Love | Russ Columbo | E♭ Major | 2 | 5B | 110 BPM | ||
| Same Old Moon | Rudy Vallee and His Connecticut Yankees | E Major | 4 | 12B | 113 BPM | ||
| With the Wind and the Rain In Your Hair | Bob Crosby | A Minor | 3 | 8A | 122 BPM | ||
| A Little Kiss Each Morning | Century Jukebox, Public Domain, Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 94 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | E Major | 4 | 12B | 113 BPM | ||
| The Breeze and I | Jimmy Dorsey & His Orchestra | E Major | 4 | 12B | 113 BPM | ||
| Daddy | Sammy Kaye | B♭ Major | 2 | 6B | 154 BPM | ||
| (You're Some) Pretty Doll | Eddie Condon | E Major | 4 | 12B | 113 BPM | ||
| Oh, You Crazy Moon | Bea Wain | E Major | 4 | 12B | 113 BPM | ||
| After I Say I`m Sorry | Jean Goldkette | G Major | 1 | 9B | 93 BPM | ||
| There's a Lull in My Life | Carroll Gibbons, The Savoy Hotel Orpheans | F Minor | 4 | 4A | 180 BPM | ||
| Martha | Larry Clinton & His Orchestra | F Major | 1 | 7B | 178 BPM | ||
| New Moten Stomp | Bennie Moten | E Major | 4 | 12B | 113 BPM | ||
| Fidgety Feet | Fletcher Henderson | E Major | 4 | 12B | 113 BPM |