Einstein on the Beach: Knee Play 1
Philip Glass, Michael Riesman
Glass: Einstein on the Beach - The Sony Opera House
3:52 1979
BPM
103
Key
G Major
Camelot
9B

Embed

Share Link

Einstein on the Beach: Knee Play 1 by Philip Glass, Michael Riesman Song Details

"Einstein on the Beach: Knee Play 1" by Philip Glass, Michael Riesman had its release date on 1979. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Philip Glass Ensemble, Michael Riesman's "Glass: Einstein on the Beach - The Sony Opera House" album is number 1 out of 14. In terms of popularity, Einstein on the Beach: Knee Play 1 is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

We consider the tempo marking of Einstein on the Beach: Knee Play 1 by Philip Glass, Michael Riesman to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-22.328 dB
Acousticness
41%
Danceability
62%
Energy
7%
Instrumentalness
0%
Liveness
24%
Loudness
63%
Speechiness
6%
Valence
7%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Let X=X by Laurie AndersonLet X=XLaurie AndersonC Major38B83 BPM
Illogical Lullaby -Furepe edit- by ハチスノイトIllogical Lullaby -Furepe edit-ハチスノイトA Major311B148 BPM
Adams: Grand Pianola Music: On the Dominant Divide by John Adams, London SinfoniettaAdams: Grand Pianola Music: On the Dominant DivideJohn Adams, London SinfoniettaE♭ Major25B84 BPM
Partita for 8 Singers: 2. Sarabande by Caroline Shaw, Roomful of Teeth, Brad WellsPartita for 8 Singers: 2. SarabandeCaroline Shaw, Roomful of Teeth, Brad WellsC Major28B62 BPM
Sound Patterns by Pauline Oliveros, Brandeis University Chamber Chorus, Alvin LucierSound PatternsPauline Oliveros, Brandeis University Chamber Chorus, Alvin LucierF Major37B172 BPM
We Head Out by Kronos Quartet, Laurie AndersonWe Head OutKronos Quartet, Laurie AndersonF Minor44A140 BPM
Act IV: Bed, Aria by Philip Glass EnsembleAct IV: Bed, AriaPhilip Glass EnsembleG Major19B174 BPM
Unbreakable Silence by Ben Frost, Daníel BjarnasonUnbreakable SilenceBen Frost, Daníel BjarnasonE Major012B96 BPM
Darkness Falls by Kronos Quartet, Laurie AndersonDarkness FallsKronos Quartet, Laurie AndersonD Minor37A156 BPM
Group Autogenics II by The BooksGroup Autogenics IIThe BooksB Major31B120 BPM
Akhnaten: Act II, Scene 1: Temple by Philip Glass, Dennis Russell Davies, Helmut Holzapfel, Paul Esswood, Melinda Liebermann, Stuttgart State Opera Orchestra, Chor der Staatsoper StuttgartAkhnaten: Act II, Scene 1: TemplePhilip Glass, Dennis Russell Davies, Helmut Holzapfel, Paul Esswood, Melinda Liebermann, Stuttgart State Opera Orchestra, Chor der Staatsoper StuttgartF Major37B82 BPM
Peace - Original Mix by Elara LilaraPeace - Original MixElara LilaraE Major012B96 BPM
Greenwood: Popcorn Superhet Receiver:, Pt. 2 B by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO OrchestraGreenwood: Popcorn Superhet Receiver:, Pt. 2 BJonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO OrchestraG Major69B156 BPM
Dark Streets by Jonny GreenwoodDark StreetsJonny GreenwoodD Major210B177 BPM
Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) by Johann Mattheson, Clara Rockmore, Nadia ReisenbergSuite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano)Johann Mattheson, Clara Rockmore, Nadia ReisenbergG Major09B73 BPM
Scene 4 by Michael GalassoScene 4Michael GalassoG Minor16A76 BPM
Shaker Loops: III. Loops and Verses by John AdamsShaker Loops: III. Loops and VersesJohn AdamsG Minor26A85 BPM
mad by CoH, Cosey Fanni TuttimadCoH, Cosey Fanni TuttiE Major612B120 BPM
It's Gonna Rain, Pt. I (1965) by Steve ReichIt's Gonna Rain, Pt. I (1965)Steve ReichA Major511B75 BPM
MGV (Musique à Grande Vitesse) 1993 (for the inauguration of the TGV North European line): 1st Region by Michael Nyman, Michael Nyman BandMGV (Musique à Grande Vitesse) 1993 (for the inauguration of the TGV North European line): 1st RegionMichael Nyman, Michael Nyman BandG Minor26A140 BPM
Animals by Oneohtrix Point NeverAnimalsOneohtrix Point NeverA Minor38A96 BPM
Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt by Johann Sebastian Bach, Ensemble Accentus, Laurence EquilbeyKomm süsser Tod, BWV 478 - Arr. for Choir by Knut NystedtJohann Sebastian Bach, Ensemble Accentus, Laurence EquilbeyE♭ Major05B78 BPM
Ave Maria by Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrinAve MariaJohann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrinA Major311B81 BPM
After the Rain: III. Antiphon by Barry Guy, Richard Hickox, City of London SinfoniaAfter the Rain: III. AntiphonBarry Guy, Richard Hickox, City of London SinfoniaD Major310B83 BPM
Polymorphia by Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni WitPolymorphiaKrzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni WitF Minor34A86 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records