"Einstein on the Beach: Knee Play 1" by Philip Glass, Michael Riesman had its release date on 1979. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Philip Glass Ensemble, Michael Riesman's "Glass: Einstein on the Beach - The Sony Opera House" album is number 1 out of 14. In terms of popularity, Einstein on the Beach: Knee Play 1 is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Einstein on the Beach: Knee Play 1 by Philip Glass, Michael Riesman to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let X=X | Laurie Anderson | C Major | 3 | 8B | 83 BPM | ||
| Illogical Lullaby -Furepe edit- | ハチスノイト | A Major | 3 | 11B | 148 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Partita for 8 Singers: 2. Sarabande | Caroline Shaw, Roomful of Teeth, Brad Wells | C Major | 2 | 8B | 62 BPM | ||
| Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM | ||
| We Head Out | Kronos Quartet, Laurie Anderson | F Minor | 4 | 4A | 140 BPM | ||
| Act IV: Bed, Aria | Philip Glass Ensemble | G Major | 1 | 9B | 174 BPM | ||
| Unbreakable Silence | Ben Frost, Daníel Bjarnason | E Major | 0 | 12B | 96 BPM | ||
| Darkness Falls | Kronos Quartet, Laurie Anderson | D Minor | 3 | 7A | 156 BPM | ||
| Group Autogenics II | The Books | B Major | 3 | 1B | 120 BPM | ||
| Akhnaten: Act II, Scene 1: Temple | Philip Glass, Dennis Russell Davies, Helmut Holzapfel, Paul Esswood, Melinda Liebermann, Stuttgart State Opera Orchestra, Chor der Staatsoper Stuttgart | F Major | 3 | 7B | 82 BPM | ||
| Peace - Original Mix | Elara Lilara | E Major | 0 | 12B | 96 BPM | ||
| Greenwood: Popcorn Superhet Receiver:, Pt. 2 B | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 6 | 9B | 156 BPM | ||
| Dark Streets | Jonny Greenwood | D Major | 2 | 10B | 177 BPM | ||
| Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) | Johann Mattheson, Clara Rockmore, Nadia Reisenberg | G Major | 0 | 9B | 73 BPM | ||
| Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
| Shaker Loops: III. Loops and Verses | John Adams | G Minor | 2 | 6A | 85 BPM | ||
| mad | CoH, Cosey Fanni Tutti | E Major | 6 | 12B | 120 BPM | ||
| It's Gonna Rain, Pt. I (1965) | Steve Reich | A Major | 5 | 11B | 75 BPM | ||
| MGV (Musique à Grande Vitesse) 1993 (for the inauguration of the TGV North European line): 1st Region | Michael Nyman, Michael Nyman Band | G Minor | 2 | 6A | 140 BPM | ||
| Animals | Oneohtrix Point Never | A Minor | 3 | 8A | 96 BPM | ||
| Komm süsser Tod, BWV 478 - Arr. for Choir by Knut Nystedt | Johann Sebastian Bach, Ensemble Accentus, Laurence Equilbey | E♭ Major | 0 | 5B | 78 BPM | ||
| Ave Maria | Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin | A Major | 3 | 11B | 81 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| Polymorphia | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 3 | 4A | 86 BPM |