Thomas Kessler's 'From a Late Night Train' had a release date set for February 4, 2022. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. From a Late Night Train's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in From a Late Night Train and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, From a Late Night Train's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of From a Late Night Train by Thomas Kessler is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Call of The Soul | Alf Gugliucci | A Major | 0 | 11B | 62 BPM | ||
| 2 Café y poesía | Ariel Goitia | E♭ Major | 0 | 5B | 134 BPM | ||
| Ever so Still | Stephen Weber | G Major | 0 | 9B | 62 BPM | ||
| Disappear | Ron Lopata | F Minor | 1 | 4A | 64 BPM | ||
| Slow Down | Sacha Hoedemaker | E♭ Major | 0 | 5B | 134 BPM | ||
| Reminiscence - Andante Piano Sessions | Tom Kristiaan | D Major | 0 | 10B | 75 BPM | ||
| Reminiscent - Felt Piano | Antonija Pacek | C Major | 0 | 8B | 103 BPM | ||
| Drifting Toward Noon | John Hamilton | D Major | 0 | 10B | 80 BPM | ||
| Belonging | Yumi Yasumoto | D Major | 0 | 10B | 76 BPM | ||
| Ringo | Robert Hutten | G Major | 1 | 9B | 105 BPM | ||
| This Is Not the End | Dario Crisman | D♭ Major | 0 | 3B | 98 BPM | ||
| Falling Apart | Alexander B. A. Pielsticker | D Major | 0 | 10B | 112 BPM | ||
| Lost With You | Milo Veran | A♭ Major | 0 | 4B | 53 BPM | ||
| Coming Home | Thomas Kessler | E♭ Major | 0 | 5B | 80 BPM | ||
| Hallelujah, What a Savior | Rick Gallagher Project | C Major | 0 | 8B | 68 BPM | ||
| Woodland Morning | Eyøni | A Major | 0 | 11B | 115 BPM | ||
| Glass Lake | Calm Cello | C Major | 0 | 8B | 117 BPM | ||
| Sofia | Sonovory | G Major | 1 | 9B | 96 BPM | ||
| That One Day | Noah Parker | C Major | 0 | 8B | 116 BPM | ||
| les ombres | Amelie Moulin | G Minor | 0 | 6A | 74 BPM | ||
| Part 1 | Michael Emenau | E♭ Major | 0 | 5B | 134 BPM | ||
| Bright Inside | Robert Hutten | D Major | 2 | 10B | 104 BPM | ||
| The Holy | A Little Time | F Major | 0 | 7B | 104 BPM | ||
| Sleeping by the side of the mountain | Nickra | D♭ Major | 0 | 3B | 136 BPM | ||
| All the Birds | Gretchen Andersen | F♯ Major | 2 | 2B | 142 BPM |