- BPM
- 140
- Key
- D♭ Major
- Camelot
- 3B
Spontanious by J. Robinson, Gantz Song Details
"Spontanious" by J. Robinson, Gantz had its release date on February 11, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in J. Robinson's "Mysticism" album is number 4 out of 4. Based on our statistics, Spontanious's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Spontanious by J. Robinson, Gantz to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -9.909 dB
- Acousticness
- 0%
- Danceability
- 43%
- Energy
- 67%
- Instrumentalness
- 87%
- Liveness
- 76%
- Loudness
- 83%
- Speechiness
- 6%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Crucifixion | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | D Minor | 1 | 7A | 92 BPM | |
 | Psalm 130, "Out of the deep have I called unto thee O Lord": Psalm CXXX | Charles Hylton Stewart, Michael Bloss, Choir of St John's, Elora, Noel Edison | E♭ Major | 0 | 5B | 81 BPM | |
 | Messe basse: Kyrie | Gabriel Fauré, Oxford Schola Cantorum, Colm Carey, Jeremy Summerly | A♭ Major | 0 | 4B | 113 BPM | |
 | Small Litany - Common Chant | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Minor | 0 | 12A | 75 BPM | |
 | Unde et memores "And Now, O Father, Mindful of the Love" | William Henry Monk, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson | G Major | 1 | 9B | 77 BPM | |
 | GOOD NEWS SHOES | STEVE WORSHIP MOORE | F Major | 2 | 7B | 131 BPM | |
 | Ave Virgo Sanctissima | Francisco Guerrero, John Eliot Gardiner | B Minor | 1 | 10A | 127 BPM | |
 | Pärt: 7 Magnificat-Antiphonen: No. 1, O Weisheit (1991 Version) | Arvo Pärt, Vasari Singers, Jeremy Backhouse | D♭ Minor | 1 | 12A | 101 BPM | |
 | All-night Vigil, Op. 37: No. 10, Having Beheld the Resurrection | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Minor | 1 | 7A | 84 BPM | |
 | Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | |
 | The Cut | J. Robinson, Shima | A Major | 6 | 11B | 174 BPM | |
 | When I Was in Trouble, I Called upon the Lord (Psalm 120) | William Sterndale Bennett, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 81 BPM | |
 | With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | |
 | Psalm 84: O How Amiable Are They Dwellings (Parry) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | |
 | O God, Our Help in Ages Past | William Croft, The Choir of Sidney Sussex College, Cambridge, Jamal Sutton, David Skinner | C Major | 2 | 8B | 95 BPM | |
 | Hollow | J. Robinson | E♭ Major | 7 | 5B | 174 BPM | |
| Pärt: 7 Magnificat-Antiphonen: No. 4, O Schlüssel Davids (1991 Version) | Arvo Pärt, Vasari Singers, Jeremy Backhouse | D♭ Minor | 1 | 12A | 101 BPM | |
 | Wesley: Jesu, Lover of My Soul (Hollingside) - 4. Plenteous Grace with Thee Is Found | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 2 | 5B | 100 BPM | |
 | Immortal, Invisible, God Only Wise | The Eleitian Concert Orchestra, Logan Ellis | D Major | 2 | 10B | 120 BPM | |
 | Psalm 10 "Why Standest Thou So Far Off, O Lord" | Percy C. Buck, Robert Ashfield, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | |
 | All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | |
 | All Hail to Thee, O Virgin Bright | Dominican House of Studies | A Major | 2 | 11B | 75 BPM | |
 | Christus natus est: I. Personent hodie | Cecilia McDowall, Canterbury Chamber Choir, Parmiter's Senior Singers, Orchestra Nova | A Major | 1 | 11B | 139 BPM | |
 | Audivi Vocem | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | |
 | Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records