William Wilson's ' "Escualo" was released on its scheduled release date, June 1, 2008. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 15 in Classical Guitar Latin Style by Peter Pupping. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Escualo is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Escualo by William Wilson is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estudio in B Minor, Op. 35, No. 22 | Hasan Çakırsoy | B Minor | 2 | 10A | 103 BPM | ||
| Guitar Sonata No. 3: II. Chanson: Andantino molto espressivo | Manuel Ponce, Pablo Garibay | D Minor | 0 | 7A | 71 BPM | ||
| Bolgheri | Ahmed El-Salamouny | E Minor | 2 | 9A | 112 BPM | ||
| Keyboard Sonata in A Minor, R. 118 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | D Minor | 2 | 7A | 89 BPM | ||
| Aria à deux No. 2 | Francis Kleynjans, Duo Bergerac | E Minor | 1 | 9A | 119 BPM | ||
| Adogio From Concierto De Aranjuez | Joaquín Rodrigo, William Wilson | B Minor | 1 | 10A | 72 BPM | ||
| Little Bird | Brandon Marcelo | F Minor | 1 | 4A | 76 BPM | ||
| Resignation | Joe Pisto | A♭ Major | 2 | 4B | 184 BPM | ||
| Un dia de Noviembre | Leo Brouwer, Ricardo Cobo | A Minor | 0 | 8A | 134 BPM | ||
| Slumber Song | Roger Quilter, Julian Lloyd Webber, John Lenehan | D Major | 1 | 10B | 140 BPM | ||
| Contigo Siempre Es Mejor | Las Tres Cuerdas | D Major | 2 | 10B | 81 BPM | ||
| Love Is Here to Stay (Arr. John W Duarte) | Andrew Keeping | D Major | 0 | 10B | 79 BPM | ||
| Air on a G String | Richard Mollenbeck | D Major | 1 | 10B | 104 BPM | ||
| Minuet in D | Robert de Visee, William Wilson | D Major | 1 | 10B | 116 BPM | ||
| The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet, Jim Walker | D Major | 0 | 10B | 127 BPM | ||
| Prelude No. 7 | Frédéric Chopin, William Wilson | A Major | 0 | 11B | 79 BPM | ||
| Once Upon a Time | Harish Powar | A Minor | 0 | 8A | 203 BPM | ||
| Etude No. 3, Op. 60 (Arr. for Guitar Duo by Troy Gifford) | Matteo Carcassi, Sam Desmet, Troy Gifford | A Major | 2 | 11B | 138 BPM | ||
| Canzone | Phillip Lester | F Major | 1 | 7B | 75 BPM | ||
| The Water Is Wide | Yenne Lee | D Major | 3 | 10B | 145 BPM | ||
| Borrowed Evenings | Dan Jurator | E Minor | 2 | 9A | 79 BPM | ||
| Binibiro Lamang Kita | Raffy Lata | A Major | 1 | 11B | 72 BPM | ||
| In Cogitationibus Suis Perdidit | Xenocrates | A Major | 2 | 11B | 57 BPM | ||
| Yepes: Romance anónimo (From "Jeux interdits") | Narciso Yepes, Pierre Laniau | E Minor | 2 | 9A | 112 BPM | ||
| Carcassi Study No.3 Op.60 | Mateo Carcassi, John Fulford Music | E Minor | 2 | 9A | 132 BPM |