"Kay Escapes" by Paul Leonard-Morgan had its release date on September 21, 2012. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 22 in Dredd (Original Motion Picture Soundtrack) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Kay Escapes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kay Escapes by Paul Leonard-Morgan is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adam Smasher | Paul Leonard-Morgan | D Major | 10 | 10B | 140 BPM | ||
| Retaliation | Alain Johannes, Alessandro Cortini, Norm Block | C Major | 9 | 8B | 108 BPM | ||
| Cathryn's Peak | Boys Noize | D♭ Major | 7 | 3B | 110 BPM | ||
| Saren | Jack Wall, Richard Jacques, EA Games Soundtrack | A Major | 5 | 11B | 180 BPM | ||
| Threat Assessment | Sarah Schachner, MIKE DEAN | E Major | 6 | 12B | 120 BPM | ||
| Watching | Ben Salisbury, Geoff Barrow | B Major | 0 | 1B | 130 BPM | ||
| 2.9_7-youPOS.ape | Mac Quayle | G Major | 5 | 9B | 120 BPM | ||
| Saigon - Logan Arrives | John Ottman, Jeffrey Schindler, American Federation of Musicians | C Major | 2 | 8B | 105 BPM | ||
| MMT | Johan Skugge, Jukka Rintamäki | E Major | 9 | 12B | 174 BPM | ||
| Criminal Elements | Jack Wall, EA Games Soundtrack | G Major | 7 | 9B | 110 BPM | ||
| Get Off the Bus | Cliff Martinez | E Minor | 4 | 9A | 100 BPM | ||
| Unite the Wayfarers | Paul Leonard-Morgan | F Major | 5 | 7B | 125 BPM | ||
| MAX KILL | HEALTH | F Minor | 9 | 4A | 135 BPM | ||
| La Época | Makeup And Vanity Set | B♭ Major | 6 | 6B | 156 BPM | ||
| Been Good To Know Ya | Marcin Przybyłowicz | F Major | 4 | 7B | 140 BPM | ||
| Patri(di)ots | Marcin Przybyłowicz | A Major | 8 | 11B | 90 BPM | ||
| Assassins | Tyler Bates, Joel J. Richard | D♭ Major | 7 | 3B | 136 BPM | ||
| Hold the Line | Steve Jablonsky, Jacob Shea | C Major | 10 | 8B | 90 BPM | ||
| Bombings | Alexandre Desplat | E♭ Major | 0 | 5B | 79 BPM | ||
| Proof of Life | Sarah Schachner | D Major | 4 | 10B | 160 BPM | ||
| The Dead Survive | Trevor Gureckis | D♭ Major | 6 | 3B | 146 BPM | ||
| Thru the Basement | West Dylan Thordson | D♭ Minor | 3 | 12A | 128 BPM | ||
| Double Ballers | Jesper Kyd | B♭ Minor | 8 | 3A | 130 BPM | ||
| Sloan | Power Glove | B♭ Major | 5 | 6B | 130 BPM | ||
| Caught | The Prestige | A Minor | 2 | 8A | 192 BPM |