Jim Hall's 'Things Ain't What They Used To Be' had a release date set for February 22, 1957. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Jim Hall's "Jazz Guitar" album is number 2 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Things Ain't What They Used To Be is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Things Ain't What They Used To Be by Jim Hall to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Before the Train | Kenneth James Trio | F Minor | 5 | 4A | 136 BPM | ||
| Just Blue | The Don Rendell / Ian Carr Quintet | C Minor | 2 | 5A | 116 BPM | ||
| Soulville | The Ben Webster Quintet | B♭ Major | 1 | 6B | 180 BPM | ||
| Angel Face | Bill Evans, Jim Hall | F♯ Minor | 0 | 11A | 64 BPM | ||
| Blues Changes | Ray Bryant Trio | A♭ Major | 2 | 4B | 113 BPM | ||
| Kinda Vague | Blue Mitchell | F Minor | 1 | 4A | 89 BPM | ||
| Too Close For Comfort | Jim Hall | F Minor | 0 | 4A | 118 BPM | ||
| The Ray | Salma Del Sol | D Minor | 3 | 7A | 80 BPM | ||
| Momentary Mystery | Lisa Hilton | F Major | 1 | 7B | 133 BPM | ||
| Do Nothing Till You Hear From Me | Clark Terry | C Minor | 1 | 5A | 120 BPM | ||
| The Nearness Of You - Instrumental | George Van Eps, Howard Alden | F Minor | 1 | 4A | 75 BPM | ||
| Days of Wine and Roses | Lenny Breau | A Minor | 1 | 8A | 99 BPM | ||
| Black Butterfly | Charles Lloyd | B♭ Major | 2 | 6B | 116 BPM | ||
| There Will Never Be Another You | Tal Farlow | A♭ Major | 6 | 4B | 162 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Nostalgia | Fats Navarro | G Major | 3 | 9B | 79 BPM | ||
| Ye Hypocrite, Ye Beelzebub | George Russell | B♭ Minor | 5 | 3A | 118 BPM | ||
| 'Round Midnight | Wes Montgomery Trio | E♭ Minor | 1 | 2A | 118 BPM | ||
| Feeling Good | Elvin Jones | A Minor | 1 | 8A | 134 BPM | ||
| Stella By Starlight | Jimmy Bruno | B♭ Major | 1 | 6B | 128 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| By Myself | The Art Farmer Quartet | G Minor | 2 | 6A | 143 BPM | ||
| Work Song | Nat Adderley | E♭ Major | 2 | 5B | 78 BPM | ||
| You're My Everything - Original Version With False Start | Miles Davis Quintet | B♭ Major | 2 | 6B | 119 BPM | ||
| You Don't Know What Love Is | John Coltrane Quartet | F Minor | 2 | 4A | 65 BPM |