Jerry Goldsmith's 'Night Work (Main Title)' had a release date set for 1989. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Night Work (Main Title)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The 'Burbs (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Night Work (Main Title)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Night Work (Main Title) by Jerry Goldsmith having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Alien Planet | Jerry Goldsmith | C Major | 1 | 8B | 157 BPM | ||
| The "It," Fifty Dollar Bills And A Stiff | Dave Grusin | A♭ Major | 2 | 4B | 110 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| THE SHINING | 101 Strings Orchestra | D Major | 3 | 10B | 119 BPM | ||
| Sarah Watches News / Enters Tech Noir | Brad Fiedel | D♭ Major | 1 | 3B | 44 BPM | ||
| Laurie's Theme | John Carpenter | B Major | 0 | 1B | 162 BPM | ||
| Slappy's Headache (From "Night of the Living Dummy 2") | Jack Lenz | C Major | 9 | 8B | 105 BPM | ||
| Closer & Closer | David Shire | G Minor | 0 | 6A | 120 BPM | ||
| The Bed Axe | Harry Manfredini | C Major | 1 | 8B | 72 BPM | ||
| Broadcast Attack | Harold Faltermeyer | A Major | 6 | 11B | 140 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| Gas Station Blow-Up | Basil Poledouris | F♯ Major | 2 | 2B | 49 BPM | ||
| In Liberty's Shadow | Randy Edelman | F Major | 2 | 7B | 143 BPM | ||
| Acid Test | Jerry Goldsmith | A Major | 2 | 11B | 43 BPM | ||
| Lucky Escape | Ben Bartlett, BBC Concert Orchestra | F Major | 1 | 7B | 86 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Order in the Court | Randy Edelman | F Major | 2 | 7B | 112 BPM | ||
| Telephone Terror | Charles Bernstein | B♭ Minor | 2 | 3A | 142 BPM | ||
| Insequi | Mark Snow | D♭ Major | 9 | 3B | 160 BPM | ||
| Hellbound Heart | Christopher Young | F Minor | 1 | 4A | 95 BPM | ||
| The Overlook | The Newton Brothers | D♭ Major | 3 | 3B | 102 BPM | ||
| Main Title | Basil Poledouris | B♭ Major | 4 | 6B | 100 BPM | ||
| The Darkest Day | David Arnold, Nicholas Dodd | D♭ Minor | 1 | 12A | 86 BPM | ||
| Factory Chase | Brad Fiedel | D Major | 7 | 10B | 101 BPM | ||
| Care Package | Basil Poledouris | F Major | 0 | 7B | 83 BPM |