- BPM
- 65
- Key
- D♭ Minor
- Camelot
- 12A
Requiem in C Minor, MH 155: II. Sequenz: Dies irae by Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King Song Details
"Requiem in C Minor, MH 155: II. Sequenz: Dies irae" by Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King had its release date on March 1, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michael Haydn, The King's Consort, Robert King's "M. Haydn: Requiem in C Minor & Chiemsee-Messe" album is number 2 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Requiem in C Minor, MH 155: II. Sequenz: Dies irae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Requiem in C Minor, MH 155: II. Sequenz: Dies irae by Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -18.507 dB
- Acousticness
- 96%
- Danceability
- 20%
- Energy
- 18%
- Instrumentalness
- 28%
- Liveness
- 9%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | |
 | Paulus: II. Teil: Nr. 37 Chor "Hier ist der Herren Tempel!" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | D♭ Minor | 0 | 12A | 71 BPM | |
 | Stabat Mater (Hob. XXbis) 1767: II. O quam tristis et afflicta | Joseph Haydn, Catherine Robbin, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 73 BPM | |
 | Kyrie, R. 587: 3. Adagio - Allegro: Kyrie eleison | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | |
 | Requiem in C Minor: Benedictus | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 2 | 8B | 84 BPM | |
 | Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | |
| Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | |
 | Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | |
 | O Ewigkeit, du Donnerwort, BWV 60: Aria. O Ewigkeit, du Donnerwort (Alto, Tenor) | Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 137 BPM | |
 | Missa Divi Xaverii, ZWV 12: Hosanna | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Major | 1 | 3B | 136 BPM | |
 | Poi che volse la mia stella | Bartolomeo Tromboncino, Carolyn Sampson, Robert Meunier | A Minor | 1 | 8A | 88 BPM | |
 | XIV. Lebe, teurer Leopold! | Georg Philipp Telemann, Elena Harsányi, Georg Poplutz, Thomas Bonni, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | |
 | Orlando Furioso, RV 728, Act I, Scene 3: Costanza tu m'insegni, e vuoi ch'oi speri | Antonio Vivaldi, Jean-Christophe Spinosi, Lorenzo Regazzo, Ensemble Matheus | A Major | 1 | 11B | 119 BPM | |
 | The Crucifixion: Recitative. Is It nothing to you? (Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 0 | 12B | 122 BPM | |
 | Lauda Sion, Op. 73: IV. In hac mensa | Felix Mendelssohn, Ruth Ziesak, Helene Schneiderman, Christoph Prégardien, Gotthold Schwarz, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | D Major | 1 | 10B | 94 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | |
 | Requiem in C Minor, MH 155: VIb. Agnus Dei et Communio. Cum sanctis tuis | Michael Haydn, Choir of The King's Consort, The King's Consort, Robert King | D♭ Minor | 2 | 12A | 65 BPM | |
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | |
 | Grande Messe des Morts: XI. Sequentia: Recordare - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 73 BPM | |
 | Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM | |
 | Mass in D Minor: Kyrie. Christe eleison | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F♯ Minor | 1 | 11A | 71 BPM | |
 | Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIIb. Et incarnatus est | Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 1 | 3B | 77 BPM | |
| The Crucifixion: Recitative. After This, Jesus knowing That all things were now accomplished (Tenor, Chorus) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 0 | 12B | 122 BPM | |
 | I Credo | Orquestra Filarmônica de Minas Gerais, Fábio Mechetti | C Major | 0 | 8B | 132 BPM | |
 | Die Jahreszeiten, Hob. XXI:3, Der Frühling: II. Komm, holder Lenz! (Chor des Landvolk) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM |
- ISRC
- GBAJY0551002
- Label
- L-M Records/RCA Records