"Violin - Darbari Kanada" by N. Rajam, Sabir Khan had its release date on March 7, 1997. This song appears to be safe for all ages as it is not explicit. There are a total of 15 in the song's album "The Genius of Dr. N. Rajam". In this album, this song's track order is #13. Furthermore, we believe that the track originated from India. In terms of popularity, Violin - Darbari Kanada is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin - Darbari Kanada by N. Rajam, Sabir Khan having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM | ||
| Raga Devgiri Bilawal - Khyal in Madhyalay Teentaal | N. Rajam, Anand Gopal Bandopadhyay | A♭ Major | 5 | 4B | 115 BPM | ||
| Madhurashtakam | Bhimsen Joshi & Ashwini Bhide | G Minor | 3 | 6A | 170 BPM | ||
| Tillana - Behag | M. Balamuralikrishna | C Major | 3 | 8B | 81 BPM | ||
| Rajasthan | Maya Nancy | E♭ Major | 3 | 5B | 82 BPM | ||
| The Bliss of Raga Desh | Ramana Balachandhran | E Major | 6 | 12B | 158 BPM | ||
| Bhairavi Bhajan | N. Rajam | A♭ Major | 4 | 4B | 140 BPM | ||
| Nit De Vichore | Shujaat Khan | D♭ Major | 4 | 3B | 107 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (1) | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 3 | 4B | 153 BPM | ||
| Payoji Maine - Bhajan in Raga Mishra Pahadi, Keherwa Taal | N. Rajam, Zakir Hussain | D♭ Minor | 5 | 12A | 77 BPM | ||
| Raag Yeman | Pawan Krishna | B Major | 3 | 1B | 144 BPM | ||
| Raga Devgiri Bilawal - Tarana in Drut Teentaal | N. Rajam, Anand Gopal Bandopadhyay | A♭ Major | 4 | 4B | 140 BPM | ||
| Dwadash Jyotirlingani | Pandit Jasraj, Shruti Sadolikar | D♭ Major | 1 | 3B | 75 BPM | ||
| Chandrachooda Shiva Shankara (Instrumental) | Kishore Kumar | B Minor | 4 | 10A | 140 BPM | ||
| Raga Karnaranjani | Ganesh & Kumaresh | A♭ Minor | 6 | 1A | 175 BPM | ||
| Jin Ke Man Ram Biraaje - Raga Malkauns - Khayal Vilambit - Ektaal / Angan Aaye Balama - Raga Malakauns - Khayal Drut - Ektaal | Rajan Mishra, Sajan Mishra | F Major | 5 | 7B | 178 BPM | ||
| Ras Ke Bhare | Girija Devi | D Major | 5 | 10B | 71 BPM | ||
| Raga Megh Malhar - Tarana in Drut Teental | N. Rajam, Pt. Omkar Gulvady | B Major | 5 | 1B | 151 BPM | ||
| Aakalpa aayushya hvave taya kula (Abhang) | Nagesh Adgaonkar | E Major | 8 | 12B | 117 BPM | ||
| 5. Raaga Puriya Dhanshri Alap | Imran Khan | A Major | 0 | 11B | 77 BPM | ||
| Mishra Pahadi - Mishra Pahadi - Dhun | Tarun Bhattacharya, Pravin Godkhindi | E Minor | 4 | 9A | 140 BPM | ||
| Mahadeva Deva | Veena Sahasrabuddhe, Umakant Gundecha, Ramakant Gundecha | A♭ Major | 1 | 4B | 158 BPM | ||
| Raga Baïragi-Bhaïrav - Alap | Ram Narayan, Suresh Talwalkar, François Auboux | B♭ Minor | 1 | 3A | 129 BPM | ||
| Vishnumaya jag (Abhang) | Nagesh Adgaonkar | D Minor | 4 | 7A | 100 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM |