Rosalie Sorrels, Jim Sorrels's ' "The Wild Colonial Boy" was released on its scheduled release date, January 1, 1961. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 17 in Folksongs of Idaho and Utah by Rosalie Sorrels. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Wild Colonial Boy's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Wild Colonial Boy by Rosalie Sorrels, Jim Sorrels is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's a Rugged Road - Remastered | Judee Sill | A Major | 3 | 11B | 85 BPM | ||
| Praying Time Will Soon Be Over | Elizabeth Cotten | B♭ Major | 1 | 6B | 104 BPM | ||
| Summertime | Cleveland Francis | A Major | 6 | 11B | 114 BPM | ||
| Dilated to Meet You | Loudon Wainwright III | C Major | 1 | 8B | 84 BPM | ||
| The Ash Grove (Traditional) | Connie Converse | B Major | 1 | 1B | 93 BPM | ||
| Polly Vaughn | Tia Blake | A Minor | 1 | 8A | 85 BPM | ||
| Dink's Song | Carolyn Hester | C Major | 1 | 8B | 125 BPM | ||
| The Moonlight Song | Blaze Foley | C Major | 2 | 8B | 152 BPM | ||
| Snowing On Raton | Rosalie Sorrels | A Major | 3 | 11B | 138 BPM | ||
| Take Care Of Yourself | Mad Anthony | D Major | 6 | 10B | 139 BPM | ||
| Poor Mum | Molly Drake | E♭ Minor | 0 | 2A | 57 BPM | ||
| I Think of You | Rosalie Sorrels | A Major | 1 | 11B | 134 BPM | ||
| The Butcher's Boy | Peggy Seeger | E Minor | 1 | 9A | 102 BPM | ||
| The Train | The Roches | E Major | 1 | 12B | 119 BPM | ||
| This Is The End | Ed Askew | F Major | 2 | 7B | 130 BPM | ||
| Bushel Hyde | Jessica Pratt | C Minor | 2 | 5A | 165 BPM | ||
| Rock Salt & Nails | Rosalie Sorrels | A Major | 1 | 11B | 110 BPM | ||
| You Never Wanted Me | Bonnie Dobson | F♯ Major | 5 | 2B | 97 BPM | ||
| Left Hand of Moses | Tucker Zimmerman | E Minor | 3 | 9A | 150 BPM | ||
| Half Crazy | Tucker Zimmerman | C Major | 2 | 8B | 164 BPM | ||
| The Game | Esther Rose | C Major | 3 | 8B | 82 BPM | ||
| If I Could Be The Rain | Rosalie Sorrels | E Major | 1 | 12B | 72 BPM | ||
| No More Reds in the Union | U. Utah Phillips, Rosalie Sorrels | E Major | 1 | 12B | 151 BPM | ||
| Down Narrrow Streets | Mark Fry | A Major | 4 | 11B | 143 BPM | ||
| Sleeper Train | Marina Allen | D Major | 4 | 10B | 121 BPM |