"The Suits Are Scared" by Paul Leonard-Morgan had its release date on December 11, 2020. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. The Suits Are Scared's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 37 in Cyberpunk 2077 - Original Score by Marcin Przybyłowicz, P.T. Adamczyk, Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. Based on our statistics, The Suits Are Scared's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Suits Are Scared by Paul Leonard-Morgan is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Subvert | Rhys Fulber, Spooneater | D♭ Major | 9 | 3B | 128 BPM | ||
| Sentient Tombs | Keith Power | G Major | 8 | 9B | 114 BPM | ||
| Cage: Third Movement | Paul Leonard-Morgan | G Major | 5 | 9B | 125 BPM | ||
| Point of No Return | Brunon Lubas | A Major | 3 | 11B | 180 BPM | ||
| Absence of Light | Patrik Andrén, Johan Söderqvist, Embark Studios | F♯ Major | 3 | 2B | 110 BPM | ||
| Servant of the Machine Intro | Nima Fakhrara | D Minor | 7 | 7A | 72 BPM | ||
| Run to the Edge | Marcin Przybyłowicz, P.T. Adamczyk | A♭ Minor | 9 | 1A | 140 BPM | ||
| Overlord | Guillaume David | F Minor | 6 | 4A | 140 BPM | ||
| Blacksite Awakens Fully | Finishing Move Inc. | A♭ Major | 9 | 4B | 100 BPM | ||
| Uninvited Guests | Finishing Move Inc. | F Minor | 8 | 4A | 100 BPM | ||
| Hostile Takeover | Leopold Ross | G Major | 2 | 9B | 60 BPM | ||
| The Hag | Shusaku Uchiyama | D Minor | 5 | 7A | 139 BPM | ||
| Rapid Adaptation | Keith Power | D♭ Major | 9 | 3B | 155 BPM | ||
| Hired Gun | Olivier Zuccaro | A Major | 5 | 11B | 135 BPM | ||
| Down to Business - Bonus Track | Stephen Barton | F♯ Major | 7 | 2B | 92 BPM | ||
| Frostbite Pillars | Johan Skugge, Jukka Rintamäki | D Major | 10 | 10B | 132 BPM | ||
| All of You Undisturbed Cities | Junkie XL | C Minor | 2 | 5A | 82 BPM | ||
| Omega Force | Power Glove | G Major | 7 | 9B | 115 BPM | ||
| Duel at Varlock Keep | Paul Leonard-Morgan | C Major | 4 | 8B | 120 BPM | ||
| FUTURE | HEALTH | C Major | 9 | 8B | 200 BPM | ||
| Remote Warning | Petri Alanko | E Minor | 3 | 9A | 110 BPM | ||
| 'Mech Bay Cantata | Jon Everist, Paradox Interactive | E Minor | 4 | 9A | 97 BPM | ||
| Code Red Initiated | P.T. Adamczyk | A Major | 8 | 11B | 178 BPM | ||
| The Firehawk Rises | Finishing Move Inc. | A Major | 3 | 11B | 107 BPM | ||
| Songbird | Fir3Music | A Minor | 1 | 8A | 119 BPM |