"交響曲 第6番 ヘ長調「田園」 作品68/第2楽章:アンダンテ・モルト・モッソ 小川のほとりの情景" by ロンドン交響楽団, ヨーゼフ・クリップス had its release date on May 7, 2025. This song appears to be safe for all ages as it is not explicit. There is only one song in 昼下がりのBGM/45分, so we believe that "交響曲 第6番 ヘ長調「田園」 作品68/第2楽章:アンダンテ・モルト・モッソ 小川のほとりの情景" is a single. In terms of popularity, 交響曲 第6番 ヘ長調「田園」 作品68/第2楽章:アンダンテ・モルト・モッソ 小川のほとりの情景 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 交響曲 第6番 ヘ長調「田園」 作品68/第2楽章:アンダンテ・モルト・モッソ 小川のほとりの情景 by ロンドン交響楽団, ヨーゼフ・クリップス is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cosas De La Batalla | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| The Human Comedy, Op. 37: Gavotte & Trio | Dmitri Shostakovich, Malmö Opera Orchestra, Mark Fitz-Gerald | F Minor | 3 | 4A | 123 BPM | ||
| The Phantom Melody | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 91 BPM | ||
| Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Major | 2 | 8B | 123 BPM | ||
| Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| Bizet: Carmen, WD 31, Act 2: Entr'acte | Georges Bizet, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | E♭ Major | 0 | 5B | 71 BPM | ||
| Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C | B Minor | 0 | 10A | 102 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Tchaikovsky: Suite from the Sleeping Beauty, Op. 66a: II. Adagio | Pyotr Ilyich Tchaikovsky, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 141 BPM | ||
| Two Nordic Melodies, Op. 63 for string Orchestra: Kulokk & Stabbelåten (Cow-Call & Peasant Dance) - Kulokk. Andantino | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | G Major | 1 | 9B | 116 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| Ancient Airs And Dances, Suite No.1, [P. 109]: 3. Villanella | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 86 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Daphnis et Chloé Suite No. 2, M. 57b: 1. Lever du jour | Maurice Ravel, Royal Concertgebouw Orchestra, Bernard Haitink | E♭ Minor | 4 | 2A | 86 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 6 in D Major (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 0 | 8B | 68 BPM | ||
| Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Herbert von Karajan, Philharmonia Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Serenade Lyrique | Edward Elgar, English Symphony Orchestra, William Boughton | E♭ Minor | 1 | 2A | 75 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) - Instrumental | Maurice Ravel, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 87 BPM | ||
| Sinfonía Romántica (Symphony No.4) / II. Molto lento | Carlos Chavez, London Symphony Orchestra / Eduardo Mata, Conductor | F Minor | 1 | 4A | 68 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Tsarskaya nevesta (The Tsar's Bride): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |