Vladimir Fedoseyev, Moscow RTV Symphony Orchestra's 'Russlan and Ludmilla: Overture' had a release date set for 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Moscow RTV Symphony Orchestra's "Legendary Artists: Moscow RTV Symphony Orchestra" album is number 7 out of 21. Russlan and Ludmilla: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Russlan and Ludmilla: Overture by Vladimir Fedoseyev, Moscow RTV Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
| The Snowstorm: IV. Romance | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
| The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | C Minor | 3 | 5A | 117 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Major | 4 | 7B | 89 BPM | ||
| The Snowstorm: III. Spring and autumn | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E Minor | 1 | 9A | 61 BPM | ||
| Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
| Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
| Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
| St. Matthew Passion, The Last Supper: Come, Let Us Sing Holy Laments to Christ | Hilarion Alfeyev, Moscow Synodal Choir, Vladimir Fedoseyev, The Tchaikovsky Symphony Orchestra | C Minor | 2 | 5A | 74 BPM | ||
| Seasons, Op. 37-bis - "12 Characteristic Picture": No. 6, Barcarole "June" - Arranged for String Ensemble | Siberian Violinists Ensemble, Mikhail Parkhomovsky | D♭ Major | 0 | 3B | 87 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| ショスタコーヴィチ:交響曲第5番 二短調 作品47;第4楽章 アレグロ・ノン・トロッポ | Vladimir Fedoseyev, モスクワ放送交響楽団 | C Minor | 2 | 5A | 136 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yefim Bronfman, Esa-Pekka Salonen, Philharmonia Orchestra | F Major | 0 | 7B | 83 BPM | ||
| Miniature Triptych: I. Allegro moderato un poco rubato | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
| Petrushka, Scene 1: Russian Dance | Igor Stravinsky, Vladimir Fedoseyev, The Tchaikovsky Symphony Orchestra | B♭ Major | 5 | 6B | 132 BPM | ||
| Ivan the Terrible, Op. 116: Pt. 1 The Wedding, Song Of Praise | Sergei Prokofiev, Yurlov State Capella, Children's Choir of Studio Vesna, Vladimir Fedoseyev, The Tchaikovsky Symphony Orchestra | E Minor | 2 | 9A | 143 BPM | ||
| Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
| Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
| Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
| VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM |