Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua's 'Spagna Contrapunto' had a release date set for January 28, 1986. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 1 out of 32. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Spagna Contrapunto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spagna Contrapunto by Francesco da Milano, Atrium Musicae de Madrid, Gregorio Paniagua to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sixteenth Century French Dances: L'Homme Arme | Michael Praetorius, Calliope - A Renaissance Band | A Major | 1 | 11B | 138 BPM | ||
| Future Strings | Catrin Finch, Seckou Keita | B♭ Major | 2 | 6B | 171 BPM | ||
| Planctus David super Saul et Ionatha | Peter Abelard, Augsburg Early Music Ensemble | G Major | 1 | 9B | 70 BPM | ||
| Estampie Real: La Seste | French 13th Cent., The Dufay Collective | G Major | 0 | 9B | 146 BPM | ||
| La Tarantela | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | ||
| Ballet: La bourrée | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch, Annie Dufresne | F Major | 3 | 7B | 118 BPM | ||
| Instrumental piece I | Hildegard von Bingen, Sequentia, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
| Canto VII, Fiduciosa fortuna: Recercata XXVIII | Francesco da Milano, Xavier Diaz-Latorre | F Minor | 1 | 4A | 90 BPM | ||
| Canto VI, Devota fortuna: Recercata XVI | Francesco da Milano, Xavier Diaz-Latorre | B♭ Major | 1 | 6B | 89 BPM | ||
| Danza alta, sobre "la Spagna" | Francesco de la Torre, Atrium Musicae de Madrid, Gregorio Paniagua | A Minor | 2 | 8A | 102 BPM | ||
| Tourdion | Pierre Attaingnant, Ensemble Buon tempo | C Major | 2 | 8B | 141 BPM | ||
| La cancion del emperador. Mille Regres (after a Canzon by Josquin Desprez) | Luis de Narváez, Lutz Kirchhof | G Minor | 0 | 6A | 85 BPM | ||
| Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
| Holborne: The Fairy Round (Galliard No. 3) | David Munrow, Early Music Consort Of London | C Major | 1 | 8B | 118 BPM | ||
| Passe and Medio / Den iersten gaillarde | Tylman Susato, Capilla Flamenca | G Minor | 1 | 6A | 97 BPM | ||
| The Fairy Round (Galliard) | Anthony Holborne, Lutz Kirchhof | F♯ Major | 1 | 2B | 102 BPM | ||
| 5e livre de viole: Chaconne | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | D Major | 0 | 10B | 98 BPM | ||
| Der unghelarte hat ghemachet eyne senende wise | Wizlaw von Rügen,, Norbert Rodenkirchen, Giuseppe Paolo Cecere, Wolfgang Reithofer | G Minor | 0 | 6A | 110 BPM | ||
| Harp Concerto: II. Adagietto | Einojuhani Rautavaara, Marielle Nordmann, Helsinki Philharmonic Orchestra, Leif Segerstam | E♭ Major | 3 | 5B | 71 BPM | ||
| Au joly boys | Claudin de Sermisy, Into the Winds | A♭ Minor | 0 | 1A | 73 BPM | ||
| Greensleeves | John Johnson, Anthony Rooley, James Tyler | F Major | 2 | 7B | 83 BPM | ||
| Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM | ||
| Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
| Danserye: Ronde: Il estoit une filette | Tylman Susato, Joculatores Upsalienses | F Major | 2 | 7B | 123 BPM | ||
| A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM |