"Sebben, crudele" by Antonio Caldara, Holly Bewlay, Sarah Rhee had its release date on June 22, 2023. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sebben, crudele's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Holly Bewlay, Sarah Rhee's "HOLLY: Twenty-four Italian Songs and Arias" album is number 5 out of 24. On top of that, United States appears to be the country where this track was created. Sebben, crudele is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sebben, crudele by Antonio Caldara, Holly Bewlay, Sarah Rhee to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trois mélodies, Op. 23: No. 1, Les berceaux | Dilyana Georgieva, Galina Apostolova | B♭ Major | 1 | 6B | 176 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
| Au bord de l'eau | Patricia Petibon, Susan Manoff | C Minor | 1 | 5A | 66 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
| Maddalena ai piedi di Cristo: No. 28 Duetto Amor Celeste, Amor Terreno "La mia virtude" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink, Andreas Scholl | A♭ Minor | 2 | 1A | 138 BPM | ||
| Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
| Chichester Psalms: I. Psalm 108:2, Urah, hanevel, v'chinor! - Psalm 100, Hariu l'Adonai kol haarets | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Edoardo Muller | E Major | 1 | 12B | 131 BPM | ||
| Overture / Preludium (Dixit Dominus) / Morning Hymn / Alleluia - Medley | Annalee, Portia Nelson, Marni Nixon, Evadne Baker | A♭ Major | 2 | 4B | 68 BPM | ||
| Ridente la calma, K. 152 (After J. Mysliveček) | Wolfgang Amadeus Mozart, Cecilia Bartoli, András Schiff | F Major | 0 | 7B | 110 BPM | ||
| Flow My Tears | John Dowland, Elin Manahan Thomas, David Miller, Harry Christophers | A♭ Minor | 0 | 1A | 63 BPM | ||
| The Red Mill: Moonbeams | Victor Herbert, Virginia Croskery, Slovak Radio Symphony Orchestra, Keith Brion | F Minor | 1 | 4A | 175 BPM | ||
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Maddalena ai piedi di Cristo: No. 55 Aria Amor Celeste "Sù, lieti festeggiate" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | F♯ Major | 3 | 2B | 101 BPM | ||
| Poulenc: Les chemins de l'amour, FP 106 | Francis Poulenc, Véronique Gens, Roger Vignoles | D♭ Major | 1 | 3B | 72 BPM | ||
| Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM | ||
| Il fervido desiderio | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 69 BPM | ||
| The Seal Lullaby | Young Voices of Melbourne | D♭ Major | 1 | 3B | 65 BPM | ||
| Considering Matthew Shepard, Epilogue: No. 30, Meet Me Here | Craig Hella Johnson, Conspirare | C Major | 0 | 8B | 81 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| Moonfall (feat. Betsy Wolfe) | The Mystery of Edwin Drood - The 2013 New Broadway Cast | A Minor | 2 | 8A | 97 BPM | ||
| Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM |