On September 28, 1993, the song "Knee 2" was released by Philip Glass Ensemble. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Philip Glass Ensemble's "Glass: Einstein on the Beach" album is number 6 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Knee 2's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Knee 2 by Philip Glass Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Upper Room: Dance V | Philip Glass, Philip Glass Ensemble, Michael Riesman | F Major | 2 | 7B | 120 BPM | ||
| Act I: Trial 1, "All Men Are Equal" | Philip Glass Ensemble | G Major | 0 | 9B | 99 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Pulsars, Pt. 2: Episode 5 | Tomasz Trzcinski | E Major | 1 | 12B | 107 BPM | ||
| Violoncelles, Vibrez! | Giovanni Sollima, Julian Kuerti | A Minor | 3 | 8A | 101 BPM | ||
| Adams: Harmonielehre: III. Meister Eckhardt and Quackie | John Adams, San Francisco Symphony, Michael Tilson Thomas | C Major | 3 | 8B | 161 BPM | ||
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| Vespers for a New Dark Age: I. Wayward Free Radical Dreams | Missy Mazzoli, Victoire, Glenn Kotche | G Minor | 3 | 6A | 98 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Outbreak ETA - Para Voz, Violín, Violonchelo, Flauta, Clarinete y Piano | Juan M. A. Herrera, Jimmy Herrera, Federico Gariglio | G Minor | 3 | 6A | 126 BPM | ||
| Precipitando | Panoram | A♭ Major | 7 | 4B | 150 BPM | ||
| 3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
| Donnacha Dennehy: Land of Winter: V. April | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Natural Patterns | Josh Wynter | C Minor | 3 | 5A | 80 BPM | ||
| Carbon Date Solo Cello | Ernst Reijseger | G Major | 3 | 9B | 120 BPM | ||
| E Is For Estranged | Owen Pallett | D♭ Major | 4 | 3B | 123 BPM | ||
| Piano & Violoncello 25 | Irena And Vojtech Havlovi | A♭ Major | 1 | 4B | 84 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D♭ Minor | 0 | 12A | 86 BPM | ||
| Modern chorusmusic: Lux Aeterna | György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks | A Minor | 1 | 8A | 66 BPM | ||
| Act I: Train 1 | Philip Glass Ensemble | A♭ Major | 5 | 4B | 146 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| Cast the Bells in Sand | Caroline Shaw, Sō Percussion | G Major | 8 | 9B | 117 BPM | ||
| the little match girl passion: come, daughter | David Lang, Theatre Of Voices, Paul Hillier | D♭ Major | 1 | 3B | 72 BPM | ||
| Six Pieces for Solo Violin: II. Arpeggio | Sophia Jani, Teresa Allgaier | E Minor | 1 | 9A | 117 BPM | ||
| Golden Brown | Estoria | D♭ Minor | 0 | 12A | 86 BPM |