Ana Shine's 'Let the light shine' had a release date set for December 2, 2022. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Let the light shine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in DIGITAL LOVE by Ana Shine. Based on our statistics, Let the light shine's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Let the light shine by Ana Shine is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Thousand Funerals | Anthony Russo | B Minor | 7 | 10A | 139 BPM | ||
| I Should Go | Levi Kreis | G Major | 1 | 9B | 86 BPM | ||
| If I Ain't Got You | skins | D♭ Minor | 6 | 12A | 82 BPM | ||
| Love is Free | The Tano Jones Revelry | F♯ Major | 1 | 2B | 119 BPM | ||
| Cruise Control | John Duff | G Major | 8 | 9B | 98 BPM | ||
| Girl in the Red Coat | Louis Peschke | F Minor | 3 | 4A | 113 BPM | ||
| Zombie | Last Call | D Major | 6 | 10B | 162 BPM | ||
| Everything and Nothing | The Boom Circuits | C Major | 4 | 8B | 140 BPM | ||
| The First Daffodils of Spring | Our Krypton Son | C Major | 2 | 8B | 56 BPM | ||
| Fly With Me | Midnight Diesel | C Minor | 4 | 5A | 93 BPM | ||
| RISE | Juliera | A♭ Major | 7 | 4B | 84 BPM | ||
| Cover Me | Ana Shine | B♭ Major | 9 | 6B | 89 BPM | ||
| A Million | Nicholas Wells | D Major | 5 | 10B | 95 BPM | ||
| So Good | Hot for Crime | A Major | 10 | 11B | 135 BPM | ||
| Screen | Odelia | D♭ Major | 9 | 3B | 123 BPM | ||
| Miracles | Vince Montage | F♯ Major | 3 | 2B | 163 BPM | ||
| SAILBOATS | OFF WE GO | D Major | 4 | 10B | 160 BPM | ||
| 5 minutes | Jake Marsh | C Major | 6 | 8B | 116 BPM | ||
| Late Nite Slice | Ansley | E♭ Minor | 8 | 2A | 96 BPM | ||
| To the Light | Reed Waddle | B Major | 6 | 1B | 100 BPM | ||
| Woke Up In Barcelona | DjBali | D Major | 8 | 10B | 126 BPM | ||
| worst of times | Ava Della Pietra | D Major | 5 | 10B | 172 BPM | ||
| Wonderwall | League Minimum | F Minor | 5 | 4A | 128 BPM | ||
| Oh! Darling | The Empty Pockets | A Major | 7 | 11B | 99 BPM | ||
| Best in You | Elii | B♭ Minor | 5 | 3A | 62 BPM |