Rudy Vallee's 'The You and Me That Used to Be' had a release date set for March 17, 2023. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Sing for Your Supper". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Australia. In terms of popularity, The You and Me That Used to Be is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The You and Me That Used to Be by Rudy Vallee having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| Charleston Crazy | Marion Harris, Blossom Seeley | D♭ Major | 4 | 3B | 107 BPM | ||
| Rhythm Is Our Business | Jimmie Lunceford & His Orchestra | G Major | 3 | 9B | 111 BPM | ||
| I Can't Get Started - Alternate Take | Bunny Berigan | D♭ Major | 4 | 3B | 107 BPM | ||
| It All Depends On You | Annette Hanshaw | B♭ Major | 2 | 6B | 95 BPM | ||
| Love Is Here To Stay | Bea Wain | G Minor | 0 | 6A | 134 BPM | ||
| A Nice Cup Of Tea | Joe Loss & His Orchestra | A♭ Major | 1 | 4B | 96 BPM | ||
| Ma! (He's Making Eyes at Me) | Eddie Cantor | D♭ Major | 4 | 3B | 107 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| I Can't Give You Anything But Love | Cliff Edwards | D♭ Major | 2 | 3B | 130 BPM | ||
| If You Can't Sing It (You'll Have To Swing It) | Martha Raye | F Minor | 0 | 4A | 114 BPM | ||
| Lambeth Walk | Eddie Cantor | D♭ Major | 4 | 3B | 107 BPM | ||
| Tip-Toe Through the Tulips With Me | Ambrose, Ambrose Orchestra | A♭ Major | 3 | 4B | 178 BPM | ||
| Can't You Read Between the Lines? | Kay Kyser & His Orchestra | D♭ Major | 0 | 3B | 105 BPM | ||
| Makin' Whoopee | Rudy Vallee | G Major | 3 | 9B | 142 BPM | ||
| What's New? | Bob Crosby & His Orchestra | B♭ Minor | 1 | 3A | 105 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| 'leven Thirty Saturday Night | Bert Ambrose Orchestra, Jess Kirkpatrick, Bill Grantham, Earl Burtnett | E♭ Major | 3 | 5B | 111 BPM | ||
| Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM | ||
| Vieni, Vieni | Rudy Vallee | G Minor | 3 | 6A | 165 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | D♭ Major | 4 | 3B | 107 BPM | ||
| At Last | Charlie Spivak & His Orchestra | A Major | 2 | 11B | 81 BPM | ||
| Donkey Serenade | Gracie Fields | B♭ Major | 3 | 6B | 115 BPM | ||
| I Ain't Got Nobody | Ruth Etting | D♭ Major | 4 | 3B | 107 BPM | ||
| Dancing in the Dark | Bea Wain | D♭ Major | 4 | 3B | 107 BPM |