"Juliet: Come night, come Romeo" by David Bennett Thomas, Mary Elizabeth Poore, Laura Frautschi, Thomas Schmidt, John Dolbashian had its release date on September 4, 2012. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 19 in Capstone Collection: Chamber Works by David Bennett Thomas, Jeffrey Solow. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Juliet: Come night, come Romeo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Juliet: Come night, come Romeo by David Bennett Thomas, Mary Elizabeth Poore, Laura Frautschi, Thomas Schmidt, John Dolbashian is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blake Songs: No. 8, Spring | David Bennett Thomas, New Carillon Ensemble, The, Thomas Schmidt | A♭ Major | 2 | 4B | 98 BPM | ||
| Authentic Taste | Haeun Joo | C Major | 5 | 8B | 119 BPM | ||
| Venezia Waltz | Simon Tilery | A♭ Minor | 0 | 1A | 131 BPM | ||
| Asphalt Road | raLoki | C Major | 5 | 8B | 119 BPM | ||
| Cold Hands, Warm Eyes | Jazz & Co. | C Major | 5 | 8B | 119 BPM | ||
| Juliet: My bounty Is as boundless as the sea | David Bennett Thomas, Mary Elizabeth Poore, Laura Frautschi, Thomas Schmidt, John Dolbashian | D♭ Major | 0 | 3B | 91 BPM | ||
| Midnight Conversations | NAISKOx | C Major | 5 | 8B | 119 BPM | ||
| O Que Sera | Antonio Faraò | C Major | 5 | 8B | 119 BPM | ||
| Tineke | Xavi Torres, Tineke Postma | D Major | 2 | 10B | 98 BPM | ||
| Adagio | Steve Kuhn, Steve Swallow, Joey Baron | E Major | 2 | 12B | 131 BPM | ||
| Midnight Sparkling | Shlomo Blue | B♭ Minor | 0 | 3A | 77 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 18, Animato | Nikolai Kapustin, Ophelia Gordon | F Minor | 3 | 4A | 77 BPM | ||
| Automne Sur Le Canal | Maurizio Minardi Trio | C Major | 3 | 8B | 90 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| There Will Never Be Another You | Antonio Faraò | C Major | 5 | 8B | 119 BPM | ||
| Fantomas | Joe Locascio | G Major | 4 | 9B | 96 BPM | ||
| A Gesture Across the Piano Lid | Benjamin Morris | C Minor | 0 | 5A | 124 BPM | ||
| Children's Song | Samuel Blaser, Peter Bockius, Tilman Günther, Lucien Bovet | B♭ Major | 4 | 6B | 92 BPM | ||
| Moonshadows, Pt. 3: Episode 6 | Tomasz Trzcinski | G Minor | 4 | 6A | 154 BPM | ||
| Grimasch Om Morgonen | Cornelis Vreeswijk, vision string quartet | C Major | 5 | 8B | 119 BPM | ||
| Deadline | Henrik Hallberg, Klaus Gesing, Niklas Wennström, Johan Käck | D Major | 3 | 10B | 115 BPM | ||
| My Unanswered Prayer | Marshall Gilkes, WDR Big Band, Billy Test | C Major | 1 | 8B | 65 BPM | ||
| Reinier | Xavi Torres, Reinier Baas | F Minor | 1 | 4A | 75 BPM | ||
| Noble: Cherokee | Bigband der Deutschen Oper Berlin, Manfred Honetschlager, Biréli Lagrène | C Major | 5 | 8B | 119 BPM | ||
| Mist over Water | Rhythmic Muse | F Major | 2 | 7B | 80 BPM |