"Key Studies" by Good Night & Good Morning had its release date on April 25, 2012. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Narrowing Type". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Luxembourg. In terms of popularity, Key Studies is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Key Studies by Good Night & Good Morning having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost In Blue | Volplane | F Minor | 7 | 4A | 117 BPM | ||
| Ten Ton Heart | air hunger | F Major | 3 | 7B | 72 BPM | ||
| Steeped | Bluetile Lounge | D♭ Minor | 2 | 12A | 98 BPM | ||
| Median I | Good Night & Good Morning | E Major | 1 | 12B | 71 BPM | ||
| Shattered | Volplane | G Major | 4 | 9B | 95 BPM | ||
| Falling | Malory | F♯ Major | 5 | 2B | 85 BPM | ||
| Nothing Left to Say | Tram | D Major | 5 | 10B | 112 BPM | ||
| Then, In 2060 A.D. | Valium Aggelein | B♭ Major | 2 | 6B | 112 BPM | ||
| Wallflower | Good Night & Good Morning | B Major | 2 | 1B | 120 BPM | ||
| They Are Never Coming Back | Wulven | D Major | 1 | 10B | 80 BPM | ||
| broken jukebox/the atomic alphabet | Argo Nuff | D Major | 4 | 10B | 81 BPM | ||
| Red Kitchen | German Error Message | A♭ Minor | 3 | 1A | 75 BPM | ||
| Finding Now | Teethe | F♯ Minor | 4 | 11A | 96 BPM | ||
| From What Is Said to When It's Read | Bark Psychosis | A♭ Minor | 5 | 1A | 128 BPM | ||
| Ashley | Vivienne Eastwood | B Minor | 5 | 10A | 140 BPM | ||
| Time So Flights | Hold Music | A Major | 1 | 11B | 69 BPM | ||
| High Ground | Tram | E♭ Major | 2 | 5B | 100 BPM | ||
| Japanese Thread | Good Night & Good Morning | F♯ Minor | 2 | 11A | 141 BPM | ||
| you're a book i'll never finish | Soulwhirlingsomewhere | B Major | 2 | 1B | 149 BPM | ||
| I'm Transmitting Tonight | Tim Hecker | C Minor | 4 | 5A | 130 BPM | ||
| Body Within Body | Jefre Cantu-Ledesma | D Major | 1 | 10B | 72 BPM | ||
| Quits | Gawshock | F Minor | 2 | 4A | 120 BPM | ||
| Guilt is My Boyfriend | Giles Corey | C Major | 6 | 8B | 100 BPM | ||
| car blanket | They Are Gutting a Body of Water | B♭ Major | 5 | 6B | 74 BPM | ||
| You Should Be at Home Here | Carissa's Wierd | D♭ Major | 5 | 3B | 117 BPM |