"All That We Are" by Kings & Creatures had its release date on November 4, 2014. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. All That We Are's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 9 in Enter The Swarm by Kings & Creatures. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of All That We Are is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of All That We Are by Kings & Creatures is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Singularity | Black Math | F Minor | 4 | 4A | 150 BPM | ||
| East Crew | Tomáš Herudek | E Minor | 7 | 9A | 128 BPM | ||
| Dark Earth (Trailer #2) | Dean Valentine | G Major | 5 | 9B | 70 BPM | ||
| Ottumn | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | D♭ Minor | 6 | 12A | 80 BPM | ||
| Highly Trained and Deadly (No Vocals) | Epic Score | G Major | 7 | 9B | 165 BPM | ||
| Inertia | Alexei Zakharov | C Major | 3 | 8B | 121 BPM | ||
| Set Flight Quarters | Lauren Pham | G Major | 5 | 9B | 130 BPM | ||
| Weaponized | Phantom Power | E Minor | 5 | 9A | 120 BPM | ||
| Together We Rise | Mitchell Broom | D Minor | 6 | 7A | 120 BPM | ||
| Chasing the Pole | Benjamin Wallfisch, Chris Egan | G Minor | 7 | 6A | 117 BPM | ||
| Poseidon | BlackDarkwin | E Minor | 3 | 9A | 86 BPM | ||
| Chosen One | Eternal Eclipse | E Minor | 5 | 9A | 176 BPM | ||
| AXIS | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| Eternal Pursuit | Kings & Creatures, Brandon Lau | B Minor | 8 | 10A | 135 BPM | ||
| Shadowborn Hunt | Frameshift Music, Alexandre Guiraud | D♭ Major | 9 | 3B | 110 BPM | ||
| Bringer of Darkness | Epic Score | E Minor | 6 | 9A | 123 BPM | ||
| This Is How It Ends | Sebastian Böhm | D Minor | 4 | 7A | 120 BPM | ||
| Virgo Cluster | Eldar Ibrahimovic | F♯ Minor | 6 | 11A | 75 BPM | ||
| Ever Chased a Dream? | Kári Sigurðsson | B♭ Minor | 8 | 3A | 140 BPM | ||
| Misty Effect | Revolt Production Music | D♭ Minor | 6 | 12A | 154 BPM | ||
| Overcoming Gravity | Frameshift Music, Fabian Wiestner | A♭ Major | 6 | 4B | 195 BPM | ||
| Tooth and Nail | Danny Cocke | D♭ Minor | 5 | 12A | 92 BPM | ||
| Burning Nebula | Kings & Creatures, Sergey Azbel | D♭ Minor | 8 | 12A | 132 BPM | ||
| Battle Of Freedom And Death | Trailer Bros, Immortal Music | F♯ Minor | 6 | 11A | 105 BPM | ||
| Rainbow Six Extraction (Music from the Cinematic Reveal Trailer) | Elephant Music | D Major | 7 | 10B | 187 BPM |