P.Kalinga Rao's ' "Ilidu Baa Thayi" was released on its scheduled release date, March 18, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Rajahamsa". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Ilidu Baa Thayi is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ilidu Baa Thayi by P.Kalinga Rao having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raman Ethanai Ramanadi | Mahanadhi Shobana | A Minor | 5 | 8A | 88 BPM | ||
| Thimitha Udhavi Anaya | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Nirakannumayente Vathilkkal | Umbayee | B Major | 4 | 1B | 89 BPM | ||
| Neenolidare | Manjula Gururaj | D Major | 7 | 10B | 161 BPM | ||
| Gatti Ulidilla | Basavaraj Narendra, Nandita | E♭ Major | 5 | 5B | 90 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM | ||
| Sada Enna Hrudayadalli | Narashima Naik, Purandara Dasaru | D Major | 9 | 10B | 96 BPM | ||
| Sri Manjunatha Shubhavaradaata | K.S. Surekha | F Minor | 3 | 4A | 136 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Jaya Ganapa Gana Adipa | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E♭ Minor | 4 | 2A | 94 BPM | ||
| Prayas Hamro | Bhakta Raj Acharya | C Major | 6 | 8B | 150 BPM | ||
| Maleyeri Bandevu | M. S. Ravigowda, B. Jayashree, Nandita | B Minor | 5 | 10A | 180 BPM | ||
| Chendurudu Ninnu | K. V. Mahadevan, S. P. Balasubrahmanyam, P. Susheela, Puhalendi, C. Narayana Reddy | D♭ Major | 9 | 3B | 108 BPM | ||
| Subrammanyana Aradhane | B. R. Chaya | F Major | 5 | 7B | 134 BPM | ||
| Allyaka Hudukuti | Chennaveera Gavayi | F Major | 6 | 7B | 129 BPM | ||
| Ambashankari Omkaari | Puttur Narasimha Nayak, B. R. Chaya | D♭ Major | 6 | 3B | 152 BPM | ||
| Guruvaara Munjaane | Ratnamala Prakash | A♭ Major | 3 | 4B | 177 BPM | ||
| Yaaru Hithavaru Ninage | P.Kalinga Rao, Mohanakumari | F Major | 5 | 7B | 162 BPM | ||
| Bhagyada Lakshmi Baaramma | Sangeetha Katti | F Minor | 6 | 4A | 148 BPM | ||
| Kolanidopariki Gobbillo | Nithya Santhoshini | E Major | 6 | 12B | 142 BPM | ||
| Poomurakombathe | Umbayee | B Major | 4 | 1B | 119 BPM | ||
| Sankara Nandhana | T.S. Radhakrishnan | B Minor | 9 | 10A | 130 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Modamodalu | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 109 BPM | ||
| Karunaalu Baa Belake | B. R. Chaya | D Minor | 4 | 7A | 78 BPM |