Supriya Pathak's 'Maa Laxmi' had a release date set for 2013. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Supriya Pathak's "Laxmi Mata Bhajans - EP" album is number 3 out of 5. On top of that, France appears to be the country where this track was created. In terms of popularity, Maa Laxmi is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Maa Laxmi by Supriya Pathak to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prabhu Tam Vina | Shree Swaminarayan Temple Bhuj | F♯ Major | 5 | 2B | 146 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Sui Ja Re Sui Ja O Maara Bal | Dipali Somaiya | E Minor | 4 | 9A | 102 BPM | ||
| O Papi man kar le bhajan | Aniruddhacharya Ji Maharaj | B Major | 7 | 1B | 102 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Dhanya Ekadashi | Urvashi Pandya | E♭ Minor | 4 | 2A | 132 BPM | ||
| Ram Stuti - Shri Ram Chandra Kripalu Bhajman | Vidhi Sharma | A♭ Major | 8 | 4B | 100 BPM | ||
| Bhaj Man Radha Radha Radha | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | C Major | 4 | 8B | 145 BPM | ||
| Kin shabdon main Aapka | Brahma Kumaris | C Major | 3 | 8B | 96 BPM | ||
| Vishwambhari Akhil Vishwa Tani - Stuti | Koras | C Major | 4 | 8B | 143 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Shrinathji Mangla Charan | Chorus | E♭ Major | 3 | 5B | 90 BPM | ||
| Aathang Sagar Karunecha Shree Swami Samartha | Jitrandra Abhyankar | D♭ Major | 5 | 3B | 90 BPM | ||
| Bol Sheli Bol | Ruchi Singh, Supriya Pathak | A♭ Major | 8 | 4B | 120 BPM | ||
| Sajh Dajh Baite Bherunath | Vaibhav Bagmar Balotra | A♭ Major | 8 | 4B | 140 BPM | ||
| ANKH MARI UGHDE TYA SHRIJI | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| Shyam Teri Bansari Bajne Lagee | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 7 | 7B | 155 BPM | ||
| Samay Maro Sadhje Vala | Ashit Desai, Purshottam Das Jalota, Anuradha Paudwal | D♭ Major | 6 | 3B | 78 BPM | ||
| Muze Tune Daata Bahut Kuch Diya Hai | Mahesh Hiremath, Shubhangi Joshi | C Major | 9 | 8B | 107 BPM | ||
| Muje Paas Bula Le Maa - Female Version | Supriya Pathak, Suraj Purohit | D♭ Major | 10 | 3B | 160 BPM | ||
| Tuzya Namacha Gajar | Vikrant Warde | F♯ Minor | 4 | 11A | 173 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| Muje Apne Paas Bula Le Maa | Supriya Pathak, Suraj Purohit | C Major | 6 | 8B | 159 BPM | ||
| He Trishalana Jaaya | Nisha Upadhyay | D♭ Major | 3 | 3B | 99 BPM | ||
| Narayana | Sachin Llimaye | C Major | 4 | 8B | 89 BPM |