Anonymous, Sanford Sylvan, Matt Haimovitz, Uccello's 'Angel Heart: Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble)' had a release date set for December 7, 2018. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Angel Heart: Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 26 in Angel Heart: A Music Storybook by Jeremy Irons, Matt Haimovitz, Uccello. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Angel Heart: Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Angel Heart: Sleep, Sleep Little One (Arr. L.P. Woolf for Voice & Ensemble) by Anonymous, Sanford Sylvan, Matt Haimovitz, Uccello is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
| Taverner: Missa Gloria Tibi Trinitas - Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 130 BPM | ||
| Ave Maria, Virgo Serena | Josquin des Prez, Stile Antico | C Major | 1 | 8B | 71 BPM | ||
| Angel Heart: O Absalom (Arr. L.P. Woolf for Voices & Cello) | Anonymous, Frederica von Stade, Matt Haimovitz, Uccello, Sanford Sylvan | A Minor | 1 | 8A | 83 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Salvation Is Created, Op. 25 No. 5 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | D Major | 0 | 10B | 68 BPM | ||
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| Pange lingua, WAB 33 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 132 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Jon Blake, Katapult (2023) | Anonymous, Various Songwriters, Solamente Naturali, Barokksolistene | D Minor | 0 | 7A | 101 BPM | ||
| Most Holy mother of God | Ars Poliphonica | B Minor | 0 | 10A | 123 BPM | ||
| Chorus Nocturnus Placidus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 1 | 7A | 72 BPM | ||
| The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | ||
| All-Night Vigil, Op.37: All-Night Vigil, Op.37: VI. Rejoice, O Virgin | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | E Major | 3 | 12B | 124 BPM | ||
| Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | ||
| Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
| The Mass: Osanna II | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Cherubic Hymn, No. 7 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 1 | 10B | 86 BPM | ||
| Thou Dost Intercede for All, O Good One | The Choir of the Dormition Church of the Novodevichy Convent | A Major | 2 | 11B | 65 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Nobles of the Mystic Shrine | John Philip Sousa, United States Marine Band, Anonymous | D♭ Major | 5 | 3B | 116 BPM | ||
| Piano Concerto: III. Allegro con moto | Michael J. Evans, Karolina Rojahn, Anonymous, Vit Micka | A Minor | 1 | 8A | 93 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| The Nativity Troparion F-dur, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 | St.Petersburg Chamber Choir, Nikolay Korniev | F♯ Minor | 1 | 11A | 77 BPM |