Stutterfly's 'Where Angels Fell' had a release date set for June 10, 2005. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 13 in And We Are Bled Of Color (U.S. Release) by Stutterfly. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Where Angels Fell's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Where Angels Fell by Stutterfly is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Young Blood Spills Tonight | Eyes Set To Kill | D Minor | 9 | 7A | 176 BPM | ||
| Naked Girl Avalanche | Four Letter Lie | D♭ Major | 9 | 3B | 170 BPM | ||
| I've Said Too Much | Renfue | D Major | 7 | 10B | 172 BPM | ||
| Catastrophic | Yesterdays Rising | D♭ Major | 9 | 3B | 89 BPM | ||
| Three Hours and a Kitchen Knife | He Said She's Dead | E Major | 10 | 12B | 102 BPM | ||
| Eternal Sunshine | Shoot the Girl First | C Minor | 9 | 5A | 120 BPM | ||
| (We Cry Mercy) | Dear Whoever | C Major | 10 | 8B | 83 BPM | ||
| When Mercia Withered into the Severn | Rosasharin | A Minor | 8 | 8A | 160 BPM | ||
| Time Holds The Truth | Yesterdays Rising | D Major | 10 | 10B | 117 BPM | ||
| Tears Through Tyranny | April's Love Affair | B♭ Major | 6 | 6B | 176 BPM | ||
| The Nighttime Is Our Time | Before Their Eyes | C Minor | 9 | 5A | 140 BPM | ||
| Crossing Lines | Ghost Runner On Third | A Major | 7 | 11B | 86 BPM | ||
| Confessions | Bleed The Dream | A♭ Major | 10 | 4B | 147 BPM | ||
| You're So Cute I Could Beat You Up | He Said She's Dead | D♭ Major | 10 | 3B | 126 BPM | ||
| I Tied It In With Vision | The Valley | A Major | 9 | 11B | 94 BPM | ||
| Fade Away Memories | Deep Enough To Die | F Major | 8 | 7B | 83 BPM | ||
| Dial "M" for Murder | A Bullet for Pretty Boy | A♭ Major | 8 | 4B | 98 BPM | ||
| Dead Eyes | Stutterfly | C Minor | 10 | 5A | 120 BPM | ||
| love letters and exit wounds | Bury Your Idols | E Minor | 8 | 9A | 155 BPM | ||
| Can You Hear Me Now | Blinded Black | D Minor | 9 | 7A | 200 BPM | ||
| Suspects, Alibis and Partners in Crime | Chasing Victory | F♯ Major | 10 | 2B | 174 BPM | ||
| Our Lucid Dream | Yesterdays Rising | F♯ Major | 9 | 2B | 81 BPM | ||
| A Green Desire | Dead Poetic | D Major | 9 | 10B | 116 BPM | ||
| Melee | The Subtle Way | G Major | 10 | 9B | 170 BPM | ||
| The Divine Aesthetic | Dear Sleeper | B♭ Major | 4 | 6B | 120 BPM |