ザ・ワイルドワンズ's ' "バック・イン・ザ・U.S.S.R." was released on its scheduled release date, June 1, 1969. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. バック・イン・ザ・U.S.S.R.'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ワイルド・ワンズの世界, so we believe that "バック・イン・ザ・U.S.S.R." is a single. Based on our statistics, バック・イン・ザ・U.S.S.R.'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of バック・イン・ザ・U.S.S.R. by ザ・ワイルドワンズ is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 銀河のロマンス | ザ・タイガース | B Minor | 3 | 10A | 109 BPM | ||
| 誰もいない海 | Toi et Moi | A♭ Major | 3 | 4B | 94 BPM | ||
| バラ色の雲 | ザ・サベージ | E Minor | 4 | 9A | 112 BPM | ||
| あなたへの愛 | Kenji Sawada | G Major | 6 | 9B | 176 BPM | ||
| Koibito Shiken | Chieko Matsumoto | E Minor | 5 | 9A | 87 BPM | ||
| 恋の日記 | ザ・ワイルドワンズ | B Minor | 5 | 10A | 125 BPM | ||
| 虹と雪のバラード ('98 Version) | Toi et Moi | E♭ Major | 5 | 5B | 93 BPM | ||
| ハロー・グッバイ | Yoshie Kashiwabara | F Major | 6 | 7B | 139 BPM | ||
| ひまわりの小径 | Cherish | D♭ Major | 3 | 3B | 173 BPM | ||
| 危険なふたり | Kenji Sawada | E Major | 7 | 12B | 146 BPM | ||
| 追伸 - 2016 Remaster | Grape | A Major | 5 | 11B | 79 BPM | ||
| この広い野原いっぱい | Ryoko Moriyama | E Major | 3 | 12B | 116 BPM | ||
| 初恋のメロディー | Asami Kobayashi | A♭ Major | 3 | 4B | 104 BPM | ||
| ふたりの大阪 | Harumi Miyako, 宮崎雅 | G Minor | 4 | 6A | 101 BPM | ||
| ひとりぽっちで踊らせて | Naoko Ken | D Major | 5 | 10B | 141 BPM | ||
| 僕のマリー | ザ・タイガース | E Major | 3 | 12B | 127 BPM | ||
| 今夜は踊ろう | Ichiro Araki | E Major | 5 | 12B | 137 BPM | ||
| 絶唱 | Kazuo Funaki | A♭ Major | 3 | 4B | 114 BPM | ||
| 君と歩いた青春 | Kaze | F Major | 2 | 7B | 138 BPM | ||
| 神田川 (シングルバージョン) | Kaguyahime | E Minor | 3 | 9A | 95 BPM | ||
| なのにあなたは京都へゆくの | Cherish | F Major | 4 | 7B | 87 BPM | ||
| オーケイ! | ザ・カーナビーツ | E♭ Major | 4 | 5B | 126 BPM | ||
| 人形の家 | Mieko Hirota | G Minor | 4 | 6A | 103 BPM | ||
| この広い野原いっぱい - 1991 Recording | Ryoko Moriyama | F♯ Major | 2 | 2B | 99 BPM | ||
| ブルー・スカイ | TULIP | G Major | 4 | 9B | 108 BPM |