On September 29, 2005, the song "Jahabata Timi" was released by Ganesh Rasik, Yogesh Baidhya. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Timra Sapanaharu". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. Based on our statistics, Jahabata Timi's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Jahabata Timi by Ganesh Rasik, Yogesh Baidhya having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Banama Fulne | Ganesh Rasik, Satya Kala Rai | C Major | 4 | 8B | 140 BPM | ||
| Ghar Chhodi Paradesh | Ganesh Rasik | G Minor | 4 | 6A | 121 BPM | ||
| Kati Ho Kati | Uday Sotang, Manila Sotang | E♭ Major | 5 | 5B | 125 BPM | ||
| O Oiya NomaM | Tonki Pegu, Tarulata Kutum | E♭ Minor | 7 | 2A | 142 BPM | ||
| Aba Ta Maile Ni | Khuman Adhikari, Sunita Dulal | F♯ Major | 7 | 2B | 185 BPM | ||
| Wairodiya Dilena Manika | Prince Udaya Priyantha | A Minor | 10 | 8A | 111 BPM | ||
| Sanga Sangai Hidoula | Pratap Das, Asmita Adhikari | C Major | 8 | 8B | 109 BPM | ||
| Maile Geet Chhodi Aaye | Prakash Shrestha, Asha Bhosle | C Major | 5 | 8B | 152 BPM | ||
| Made Mankho | Manasi Debbarma | E Major | 7 | 12B | 84 BPM | ||
| Mokolbai Bo Khani Kok | Arun Debbarma | D Major | 8 | 10B | 90 BPM | ||
| Hussule Chhopeko Sahar | Ganesh Rasik | A♭ Minor | 4 | 1A | 80 BPM | ||
| Bhaisi Palera | Raju Pariyar, Bishnu Majhi, Arjun Gaire | B♭ Major | 6 | 6B | 165 BPM | ||
| Aankha Bharika Sapana | Udit Narayan | E♭ Minor | 3 | 2A | 82 BPM | ||
| O Ani Kha Kobor | Sanjita Debbarma, Sourabhee Debbarma, Bhabatosh Debbarma | C Major | 5 | 8B | 121 BPM | ||
| Gangarbai Kyu Banda | Munal Film Pvt. Ltd., Dhan Bahadur Gurung, Anjana Gurung | E Major | 7 | 12B | 150 BPM | ||
| Khole Khaye Pani | Raju Lama | E Minor | 6 | 9A | 80 BPM | ||
| TANGTING GAUNKO MELAIMA | Munal Film Pvt. Ltd., Dhan Bahadur Gurung, Shanti Gurung | G Major | 6 | 9B | 150 BPM | ||
| Yo Mutulai Kasari | Narayan Gopal | F♯ Major | 2 | 2B | 122 BPM | ||
| Byarthai Feri | Sundar Thapa, Karna Das | F Major | 7 | 7B | 150 BPM | ||
| Sapana Hoki Bipana Ho (From "Mohar") | Thaneshwor Gautam, Shanti Shree Pariyar, Prava Bartaula | D♭ Minor | 9 | 12A | 100 BPM | ||
| Tala Tala Besima | Shambhujeet Baskota, Anju, Mallika Karki | G Minor | 7 | 6A | 75 BPM | ||
| Yeti dherai | Raju Lama | A Minor | 8 | 8A | 154 BPM | ||
| Phool Ko Ranga (From "Tathastu") | Rajesh Payal Rai, Anju Panta, Basanta Sapkota | F Major | 8 | 7B | 79 BPM | ||
| Yo Maya Ke Ho | Pramod Kharel | A Major | 7 | 11B | 130 BPM | ||
| Puviyaalum Punitha | Vyasar S Lawrance | F♯ Major | 8 | 2B | 147 BPM |