Barbara Lea's 'Baltimore Oriole' had a release date set for January 1, 1991. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Barbara Lea by Barbara Lea. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Baltimore Oriole is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Baltimore Oriole by Barbara Lea is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ac-cent-tchu-ate The Positive | Susannah McCorkle | F♯ Minor | 2 | 11A | 120 BPM | ||
| You Go To My Head | Susannah McCorkle | A♭ Minor | 0 | 1A | 111 BPM | ||
| A Fine Romance | Martha Tilton | A♭ Major | 2 | 4B | 77 BPM | ||
| Impossible | Sue Raney | E Major | 1 | 12B | 97 BPM | ||
| Sermonette | Lambert, Hendricks & Ross | B♭ Major | 5 | 6B | 132 BPM | ||
| A Fine Romance - Live | Barbara Lea, The Ed Polcer All-Stars, Bob Havens, Johnny Varro, Marty Grosz, Bob Haggart, Allan Vaché, Brooks Tegler | F Minor | 4 | 4A | 143 BPM | ||
| Why Don't We Try Staying Home? | Susannah McCorkle | F♯ Major | 0 | 2B | 104 BPM | ||
| Red Top - Remastered | Betty Carter | A♭ Major | 4 | 4B | 116 BPM | ||
| Sugar | Barbara Lea, Loonis McGlohon, Mel Alexander, Tony Cooper, Bob Mitchell | B♭ Major | 1 | 6B | 83 BPM | ||
| Body & Soul | Dorothy Dandridge | D Major | 1 | 10B | 116 BPM | ||
| Four Or Five Times | Jimmie Lunceford | G Minor | 2 | 6A | 119 BPM | ||
| Have You Met Miss Jones? | Illinois Jacquet | F Major | 2 | 7B | 104 BPM | ||
| No Moon At All | Jeri Southern | E Minor | 1 | 9A | 117 BPM | ||
| Remember | Betty Carter | F Major | 3 | 7B | 127 BPM | ||
| Lazy River | Hoagy Carmichael | C Minor | 3 | 5A | 142 BPM | ||
| Roses of Picardy | George Shearing | C Major | 3 | 8B | 114 BPM | ||
| Come Rain or Come Shine | Barbara Lea, Billy Taylor and His Trio | G Major | 1 | 9B | 72 BPM | ||
| Blitzkrieg Baby | Una Mae Carlisle | G Minor | 2 | 6A | 119 BPM | ||
| Coquette | Rose Murphy | C Major | 2 | 8B | 131 BPM | ||
| Margie | Jimmie Lunceford | B Minor | 2 | 10A | 143 BPM | ||
| Only Trust Your Heart | Dick Sudhalter, Roger Kellaway, Barbara Lea, Ed Saindon, Frank Vignola | C Major | 1 | 8B | 122 BPM | ||
| Get out and Get Under the Moon | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | A♭ Major | 2 | 4B | 116 BPM | ||
| Sand in My Shoes | Bobby Short | C Major | 3 | 8B | 144 BPM | ||
| I Got Rhythm | Mark Murphy | A Minor | 2 | 8A | 76 BPM | ||
| (Lookie Lookie Lookie) Here Comes Cookie | Cleo Brown | B♭ Major | 1 | 6B | 181 BPM |