"Torna a Surriento" by Ernesto de Curtis, Jonathan Antoine, Julian Reynolds, Latvian National Opera Chamber Orchestra had its release date on October 13, 2014. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Tenore". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Torna a Surriento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna a Surriento by Ernesto de Curtis, Jonathan Antoine, Julian Reynolds, Latvian National Opera Chamber Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
| Tu, ca nun chiagne! | Ernesto de Curtis, Plácido Domingo, Eugene Kohn, Budapest Philharmonic Orchestra | F♯ Minor | 2 | 11A | 90 BPM | ||
| E Lucevan Le Stelle | Jonathan Antoine | B Minor | 2 | 10A | 72 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| Cavalleria Rusticana: O Lola | Jussi Björling | B♭ Major | 2 | 6B | 102 BPM | ||
| Brodszky / Arr Schifrin: Around the World Part 6: Be My Love | Nicholas Brodszky, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 84 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Donizetti: L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
| Lehár / Arr. Schifrin: Around the World: Lippen Schweigen (From "The Merry Widow") [Live] | Franz Lehár, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 77 BPM | ||
| Suite jazz 1 & 2: la nave va | Alessandro Safina | E Minor | 4 | 9A | 99 BPM | ||
| L'elisir d'amore: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | B♭ Minor | 1 | 3A | 68 BPM | ||
| Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Canta pe'me | Ernesto de Curtis, Enrico Caruso, Artist Unknown | D Major | 0 | 10B | 65 BPM | ||
| Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
| Bernstein / Arr. Schifrin: Around the World: America (From "West Side Story") [Live] | Leonard Bernstein, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 4 | 9B | 96 BPM | ||
| Lucia di Lammermour, Act. III - Tombe degli avi miei… Fra poco a me ricovero | Gaetano Donizetti, Salvatore Cammarano, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | D Major | 2 | 10B | 172 BPM | ||
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| Les contes d'Hoffmann, Act II: Barcarolle (Arr. for Choir) | Jacques Offenbach, Ave Sol, Julian Reynolds | A Minor | 1 | 8A | 81 BPM | ||
| Verdi: Rigoletto, Act 3 Scene 2: "La donna è mobile" (Duca) | Giuseppe Verdi, Franco Corelli, New Philharmonia Orchestra, Franco Ferraris | B Major | 2 | 1B | 63 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| L'ultima canzone (Arr. Maazel for Tenor, Violin & Orchestra) | Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | D Major | 4 | 10B | 132 BPM | ||
| Adagio - Album Version - Remastered | The Canadian Tenors | F Minor | 5 | 4A | 77 BPM | ||
| Two Hearts Entwined | Jonathan Ansell | A♭ Major | 4 | 4B | 122 BPM |