"Counterweight" by Brian Tyler, Klaus Badelt had its release date on February 15, 2005. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Counterweight's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 24 in Constantine (Original Motion Picture Score) by Brian Tyler, Klaus Badelt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Counterweight is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Counterweight by Brian Tyler, Klaus Badelt is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harlem Brawl | Craig Armstrong | A♭ Major | 6 | 4B | 195 BPM | ||
| The Waterfall | Joel P West | E♭ Major | 3 | 5B | 89 BPM | ||
| They Always Come Back | Brandon Campbell | G Minor | 1 | 6A | 169 BPM | ||
| New York's Only Spider-Man | John Paesano | A♭ Major | 6 | 4B | 159 BPM | ||
| Piccadilly Circus | Sarah Schachner | A♭ Major | 4 | 4B | 105 BPM | ||
| Captain Marvel | Pinar Toprak | C Major | 5 | 8B | 105 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| Main Title | Joe Kraemer | D♭ Major | 1 | 3B | 83 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| Merry Men | Marc Streitenfeld | E Minor | 5 | 9A | 178 BPM | ||
| A Game of Strategy | Steven Price | B Minor | 4 | 10A | 85 BPM | ||
| Legend of Bionicle | Nathan Furst | D♭ Major | 3 | 3B | 73 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| Jin Sakai | Ilan Eshkeri | G Minor | 4 | 6A | 84 BPM | ||
| Up the Down Trench | Thomas Newman | G Major | 3 | 9B | 194 BPM | ||
| The Way of the Ghost | Ilan Eshkeri | G Minor | 2 | 6A | 114 BPM | ||
| Commandeering The Vessel | Ilan Eshkeri | E Major | 5 | 12B | 128 BPM | ||
| Skull And Crossbones | Klaus Badelt | D Minor | 6 | 7A | 140 BPM | ||
| Back for Beskar | Ludwig Göransson | F♯ Minor | 1 | 11A | 125 BPM | ||
| Into the Starfield (Main Theme) | Inon Zur | F♯ Minor | 3 | 11A | 80 BPM | ||
| Seppuku | Ilan Eshkeri | F Major | 3 | 7B | 114 BPM | ||
| The Hunter | Elitsa Alexandrova, Assassin's Creed | B♭ Minor | 4 | 3A | 114 BPM | ||
| The High Seas | Brian Tyler, Assassin's Creed | C Major | 5 | 8B | 130 BPM | ||
| I Want You To Remember The One Man Who Beat You | Christopher Drake | D Minor | 4 | 7A | 133 BPM | ||
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM |