On January 1, 1995, the song "Doors Of The Cemetery" was released by Rita MacNeil. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Reason To Believe". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Canada. Based on our statistics, Doors Of The Cemetery's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Doors Of The Cemetery by Rita MacNeil having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Once a Day | Niamh Lynn | F Major | 6 | 7B | 137 BPM | ||
| Don`t Forget to Remember | Liv Marit Wedvik | F♯ Major | 4 | 2B | 172 BPM | ||
| I Found Something | Bagatelle | F Major | 4 | 7B | 112 BPM | ||
| Everybody | Rita MacNeil | E Major | 2 | 12B | 102 BPM | ||
| Michael Collins | Conor McGinty | B Major | 3 | 1B | 203 BPM | ||
| Don't Fly Too High | Joanna Field | F Major | 5 | 7B | 122 BPM | ||
| Here's to You My Ramblin' Boy | Frank McCaffrey | G Major | 2 | 9B | 133 BPM | ||
| Lay Down Beside Me | Patsy Riggir | G Major | 3 | 9B | 110 BPM | ||
| Que Sera, Sera (Whatever Will Be, Will Be) | Melinda Schneider | A Major | 4 | 11B | 176 BPM | ||
| Ireland Swings | Brian Coll | E♭ Major | 5 | 5B | 80 BPM | ||
| Roses Are Red | Al Grant | B♭ Major | 3 | 6B | 98 BPM | ||
| Last Thing on My Mind | Marian Waldron, Dominic Kirwan | D Major | 8 | 10B | 200 BPM | ||
| Fair and Tender Ladies | The Rankin Family | B♭ Major | 2 | 6B | 109 BPM | ||
| Vaya Con Dios | Patsy Riggir | A Major | 2 | 11B | 92 BPM | ||
| Valley of the Moon | Barbara Ray | B♭ Major | 3 | 6B | 110 BPM | ||
| Two Loves | Ann Breen | G Major | 2 | 9B | 162 BPM | ||
| Next To Me | Lacy J. Dalton | A♭ Minor | 5 | 1A | 77 BPM | ||
| If Tomorrow Never Comes | Julie Rogers | E♭ Major | 4 | 5B | 140 BPM | ||
| Everybody' Somebody's Fool | Ann Breen | G Major | 4 | 9B | 84 BPM | ||
| Helluva Moment | Dana Electra | B Major | 3 | 1B | 141 BPM | ||
| Working Man | Rita MacNeil | F Major | 4 | 7B | 97 BPM | ||
| Old Loves Never Die | Brian Coll | A Major | 3 | 11B | 100 BPM | ||
| My Homeland | Lena Martell | E♭ Major | 3 | 5B | 109 BPM | ||
| Crazy Over You | Michael English, Cliona Hagan | E♭ Major | 4 | 5B | 140 BPM | ||
| Two Loves | Sean Dunphy | A Major | 3 | 11B | 89 BPM |