"Accuracy Equals Focusing" by Hans Zimmer had its release date on May 1, 2024. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Weather Man (Music from the Motion Picture)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Turks and Caicos Islands. Accuracy Equals Focusing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Accuracy Equals Focusing by Hans Zimmer having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio in D Minor | John Murphy | G Major | 5 | 9B | 119 BPM | ||
| Transformation | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Major | 2 | 2B | 92 BPM | ||
| Me Before You Orchestral | Craig Armstrong | C Major | 1 | 8B | 73 BPM | ||
| Interstellar Suite: Part 2, No Time for Caution | Hans Zimmer, Alexander Gibson, Ryan Rubin, Eliane Correa, Pedro Eustache, Gan-ya Ben-gur Akselrod, Aleksandra Suklar, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| Wayward Sisters | Abel Korzeniowski | F♯ Minor | 4 | 11A | 98 BPM | ||
| Honoring the Dead | Marc Streitenfeld | G Minor | 3 | 6A | 87 BPM | ||
| The Council of Elrond (feat. "Aniron") [Theme for Aragorn and Arwen] | Howard Shore, Enya | D♭ Major | 1 | 3B | 84 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| Dreaming of the Crash | Hans Zimmer | F Major | 0 | 7B | 83 BPM | ||
| Red Warrior | Hans Zimmer | G Minor | 4 | 6A | 144 BPM | ||
| Life | Ludovico Einaudi, Daniel Hope, I Virtuosi Italiani | G Major | 3 | 9B | 93 BPM | ||
| Rush Orchestra Suite - Live | Hans Zimmer, Marie Spaemann, Amir-John Haddad, Snow Owl, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 5 | 7A | 80 BPM | ||
| Machine | Steven Price | C Minor | 2 | 5A | 66 BPM | ||
| Look Around You | Nick Glennie-Smith | F Minor | 1 | 4A | 119 BPM | ||
| No Time for Caution | Hans Zimmer | A Minor | 2 | 8A | 120 BPM | ||
| Meeting Kitty | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| The Holiday Orchestra Suite - Live | Hans Zimmer, Eliane Correa, Amir-John Haddad, Lucy Landymore, Vienna Radio Symphony Orchestra, Martin Gellner | C Major | 5 | 8B | 150 BPM | ||
| Po Finds The Truth | John Powell, Hans Zimmer | C Minor | 2 | 5A | 70 BPM | ||
| Look to the Stars | Hans Zimmer | C Major | 1 | 8B | 75 BPM | ||
| Alpha | Marc Streitenfeld | C Major | 2 | 8B | 73 BPM | ||
| Lasiurus | James Newton Howard, Hans Zimmer | G Minor | 0 | 6A | 82 BPM | ||
| Stationary Cycle | Theodore Shapiro, Mark Graham | B Minor | 2 | 10A | 88 BPM | ||
| Corynorhinus | James Newton Howard, Hans Zimmer | F Minor | 0 | 4A | 80 BPM |