"Arabian Coffee" by Ann Rachlin had its release date on 1986. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Nutcracker - The Story Of The Ballet". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Arabian Coffee is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arabian Coffee by Ann Rachlin having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Entr'acte: Andante moderato; Allegretto | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | A Major | 1 | 11B | 114 BPM | ||
| Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
| Madama Butterfly, SC 74, Act II: Humming Chorus | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel, May Festival Chorus | G Minor | 1 | 6A | 76 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Prelude to the Afternoon of a Faun | The New Classical Consortium | A♭ Major | 2 | 4B | 78 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| Teil 13 - Folge 34: Professor van Dusen hilft Scotland Yard | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Lothar Blumhagen, Rolf Marnitz, Hubertus Bengsch, Helmut Wildt, Karin Grüger, Wolfgang Condrus, Renate Jambroszczyk, Klaus Jepsen, Oliver Elias | B Minor | 3 | 10A | 73 BPM | ||
| Pas de Quatre from Aurora's Wedding | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
| Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM | ||
| Sinfonietta, FP 141: II. Molto vivace | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Elgar: 3 Characteristic Pieces, Op. 10: No. 1, Mazurka | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 107 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| Suite 2 - From The Bishop's Wife, 1947 | Cary Grant, Hugo Friedhofer | E♭ Major | 4 | 5B | 99 BPM | ||
| 3 Dance Episodes from On the Town: No. 1, The Great Lover | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| The Miracle | Dario Marianelli | E Minor | 2 | 9A | 126 BPM | ||
| La Bayadère / Act 1: No.8 Moderato con moto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | F Minor | 0 | 4A | 91 BPM | ||
| Fahrenheit 451: The Road - From "Fahrenheit 451" | Bernard Herrmann | C Major | 1 | 8B | 128 BPM | ||
| Bleak Horizons | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| Coppélia, Tableau 2: No. 9 Scène | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 3. Fandango (Zarabando) | Rafael Ferrer, Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Salvador Brotons | D Major | 0 | 10B | 92 BPM | ||
| Medley: At La Belle Aurore | The Warner Bros. Studio Orchestra | G Minor | 3 | 6A | 81 BPM | ||
| Old Sherman's Dog Toby (The Sign of Four) | Gabrieli String Quartet, John Yap | B♭ Major | 2 | 6B | 144 BPM | ||
| Dream Children, Op. 43: 2. Allegretto piacevole | Edward Elgar, Queensland Symphony Orchestra, Bernard Heinze | G Major | 0 | 9B | 175 BPM | ||
| Lovers in Paris | Lou Logist, Ray Ventura Orchestra, Ray Ventura, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss Orchestra, The Monty Kelly Orchestra, Morton Gould Orchestra, New Concert Orchestra, New Symphony Orchestra, Orchestre Raymonde, Palace Theatre Symphony Orchestra, Reg Owen Orchestra, Richard Hayman Orchestra, The Rochester Pops, Stuttgart Radio Orchestra, The Melachrino Orchestra | G Major | 3 | 9B | 166 BPM |