- BPM
- 126
- Key
- C Minor
- Camelot
- 5A
Got to Feel Now by Matthias Hoffmann Song Details
Matthias Hoffmann's ' "Got to Feel Now" was released on its scheduled release date, April 16, 2025. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Got to Feel Now's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthias Hoffmann's "Got to Feel Now" album is number 1 out of 2. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Got to Feel Now's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
We consider the tempo marking of Got to Feel Now by Matthias Hoffmann to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -6.029 dB
- Acousticness
- 8%
- Danceability
- 71%
- Energy
- 92%
- Instrumentalness
- 92%
- Liveness
- 6%
- Loudness
- 90%
- Speechiness
- 4%
- Valence
- 53%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | |
 | Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | |
 | Requiem, Op. 148: Dies irae | Robert Schumann, Eva Andor, Katalin Szőkefalvi-Nagy, Zsuzsa Barlay, Gyorgy Korondy, József Gregor, Budapest Chorus, Hungarian State Orchestra, Miklós Forrai | A♭ Major | 0 | 4B | 76 BPM | |
 | Rêve d'amour (S'il est un charmant gazon), Op. 5 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | |
 | Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Margaret Price, James Lockhart | A♭ Major | 1 | 4B | 192 BPM | |
 | Liebeslieder Waltzes, Op. 52: No. 3, O die Frauen, o die Frauen | Johannes Brahms, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | D♭ Major | 1 | 3B | 66 BPM | |
 | Ariadne auf Naxos / Prologue: "Ein Augenblick ist wenig" | Richard Strauss, Edita Gruberova, Julia Varady, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 95 BPM | |
 | Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIa. Einleitung und Rezitativ: In grauem Schleier (Lukas, Simon) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Tilman Lichdi, Matthias Winckhler, Le Concert Des Nations | C Major | 1 | 8B | 170 BPM | |
 | Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | |
 | Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | |
 | La Coccinelle, WD 87 | Georges Bizet, Sylvia McNair, Roger Vignoles | A♭ Major | 0 | 4B | 132 BPM | |
 | Die schöne Müllerin, D. 795: No. 7, Ungeduld | Franz Schubert, Andreas Schmidt, Rudolf Jansen | D Major | 0 | 10B | 90 BPM | |
 | Stabat mater, op.58: 10. Quartetto e Coro "Quando corpus morietur" | Antonín Dvořák, Mariana Zvetkova, Ruxandra Donose, Johan Botha, Roberto Scandiuzzi, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 3 | 10B | 134 BPM | |
 | Hänsel und Gretel, Act III: Bleib stehn, bleib stehn! (Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | |
 | 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | F♯ Minor | 1 | 11A | 167 BPM | |
 | L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | |
 | Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | F Major | 2 | 7B | 80 BPM | |
 | La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bavarian State Orchestra, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | |
 | Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Pregardien, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | |
 | Die schöne Müllerin, Op. 25, D.795: XX. Des Baches Wiegenlied | Franz Schubert, Fritz Wunderlich, Hubert Giesen | B♭ Major | 0 | 6B | 72 BPM | |
 | Shut up | M.a.m.i., Matthias Hoffmann | G Major | 6 | 9B | 125 BPM | |
 | Schumann: Dichterliebe, Op. 48: 4. Wenn ich in deine Augen seh' | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | A♭ Major | 0 | 4B | 130 BPM | |
 | Wie der Hirsch schreit, Op. 42, MWV A15: Denn ich wollte (Soprano, Chorus) | Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 2 | 8A | 168 BPM | |
 | Köthener Trauermusik BWV 244a: Mit Freuden (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | A♭ Minor | 0 | 1A | 70 BPM | |
 | 4 Lieder, Op. 27, TrV 170 (Version for Voice & Orchestra): No. 2, Cäcilie | Richard Strauss, Louise Alder, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM |
- ISRC
- DEW872502929
- Label
- L-M Records/RCA Records