P. Leela, Jamuna Rani's ' "Nallani Vaade" was released on its scheduled release date, December 31, 1959. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Pelli Sandhadi". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. Nallani Vaade is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Nallani Vaade by P. Leela, Jamuna Rani having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parugulu Teeyaali | Ghantashala, Bhanumathi Ramakrishna, D. Krishna Sastry | B Major | 7 | 1B | 177 BPM | ||
| Hari Namave Chanda / Dialogue : Namba Thai (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | E Minor | 7 | 9A | 109 BPM | ||
| Mannukku Maram Baarama | M. S. Rajeswari | F♯ Major | 4 | 2B | 151 BPM | ||
| Are Emiti Lokam | L. R. Eswari | B♭ Major | 9 | 6B | 178 BPM | ||
| Sri Ganadham | Purna Chander, S.Srinivas | A Major | 7 | 11B | 99 BPM | ||
| Kali Bhadrakali | P. Jayachandran, P. Leela | F♯ Minor | 4 | 11A | 173 BPM | ||
| Azhagaana Ponnu Naan | P. Bhanumathi, A Maruthakasi | A♭ Major | 3 | 4B | 125 BPM | ||
| Malligai Poo | Jamuna Rani | D Major | 7 | 10B | 148 BPM | ||
| Vaarai En Thozhi | L. R. Eswari | D♭ Minor | 6 | 12A | 123 BPM | ||
| Devaa Deena Baandhava | P. Leela, Samudrala Sr. | F Minor | 6 | 4A | 80 BPM | ||
| Kala Idhanee | Ghantashala, Samudrala Sr. | A♭ Major | 3 | 4B | 114 BPM | ||
| Vaarayo Vennilave - Trap Mix | Rithick J, A. M. Rajah, P. Leela, S. Rajeshwar Rao | D Major | 6 | 10B | 146 BPM | ||
| Ooruvittu Ooruvandhu | S.P. Shailaja, Soundaryan | F Minor | 6 | 4A | 84 BPM | ||
| Anatha Bhranthi Yena | Jamuna Rani, Samudrala Sr. | A♭ Major | 6 | 4B | 128 BPM | ||
| Thakkuvemi Manaku | M. Balamuralikrishna | C Minor | 6 | 5A | 99 BPM | ||
| Vaaraayo Vennilaave - Chill Trap | The Independeners, A. M. Rajah, P. Leela | A Minor | 6 | 8A | 150 BPM | ||
| Kadhalenum Amara Jothi | A. M. Rajah, P. Leela | A Major | 3 | 11B | 139 BPM | ||
| Ikshvakukula Thilaka | M. Balamuralikrishna | B Major | 5 | 1B | 112 BPM | ||
| Nee Kettathu Inbam | P. Leela, Pattukkottai Kalyanasundaram | F♯ Major | 5 | 2B | 115 BPM | ||
| Villendhum Veerarellam | Thiruchi Loganathan, P. Leela | C Major | 3 | 8B | 143 BPM | ||
| Salalitha Raaga Sudhaarasa | M. Balamuralikrishna, Bangalore Latha | E Minor | 5 | 9A | 91 BPM | ||
| Eecha Marathu Inbacholai | A. R. Sheik Mohammed | A Major | 8 | 11B | 95 BPM | ||
| Ponnenna (From "Alaigal") | Jayachandran, M. S. Viswanathan, Kavingar Kannadasan | F Major | 4 | 7B | 79 BPM | ||
| Amma Seethamma | Purnachandra, Mst. Puneeth | E Major | 3 | 12B | 108 BPM | ||
| Vantha Naal Muthal | Jamuna Rani, L. R. Eswari, Soolamangalam Rajalakshmi, L. R. Anjali | A Minor | 8 | 8A | 179 BPM |