Barry Harris, Sam Jones, Louis Hayes's 'Curtain Call' had a release date set for January 1, 1960. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in At The Jazz Workshop (Live From The Jazz Workshop, San Francisco, CA / May 15 & 16, 1960) by Barry Harris. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Curtain Call is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Curtain Call by Barry Harris, Sam Jones, Louis Hayes is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inception | McCoy Tyner Trio | F Minor | 4 | 4A | 140 BPM | ||
| Heavyweights | Sal Nistico, Nat Adderley, Barry Harris, Sam Jones, Bob Cranshaw, Sal Amico, Walter Perkins, Vinnie Ruggiero, Nat Pierce | A♭ Major | 6 | 4B | 185 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| Autumn In New York - Set 1 / Live From Cafe Bohemia/1956 | Kenny Dorham | F Major | 3 | 7B | 63 BPM | ||
| By Myself | Sal Nistico, Nat Adderley, Barry Harris, Sam Jones, Bob Cranshaw, Sal Amico, Walter Perkins, Vinnie Ruggiero, Nat Pierce | A Minor | 3 | 8A | 177 BPM | ||
| Imagination | Toshiko Akiyoshi | E♭ Major | 1 | 5B | 72 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| There Will Never Be Another You | Tal Farlow | A♭ Major | 6 | 4B | 162 BPM | ||
| Jumpin' at the Woodside | Barry Harris | A♭ Major | 7 | 4B | 133 BPM | ||
| Conformation | Kenny Barron, Barry Harris | G Major | 5 | 9B | 58 BPM | ||
| Here's That Rainy Day | Elvin Jones, Richard Davis | B♭ Major | 2 | 6B | 98 BPM | ||
| Darn That Dream - Remastered | Art Farmer | G Major | 0 | 9B | 67 BPM | ||
| Down | Sal Nistico, Nat Adderley, Barry Harris, Sam Jones, Bob Cranshaw, Sal Amico, Walter Perkins, Vinnie Ruggiero, Nat Pierce | G Minor | 2 | 6A | 79 BPM | ||
| Is You Is Or Is You Ain't My Baby? - Take 2 / Live From The Jazz Workshop, San Francisco, CA / May 15 & 16, 1960 | Barry Harris | B♭ Minor | 2 | 3A | 134 BPM | ||
| Stars Fell On Alabama | The Cannonball Adderley Quintet | B♭ Major | 2 | 6B | 77 BPM | ||
| Come Rain Or Come Shine (Take 5) | Bill Evans, Scott LaFaro, Paul Motian | C Major | 1 | 8B | 87 BPM | ||
| Manteca | Phineas Newborn Jr. | F Minor | 5 | 4A | 121 BPM | ||
| I Can't Give You Anything But Love | Red Garland, Paul Chambers, Art Taylor | F Major | 2 | 7B | 93 BPM | ||
| Something To Live For | Roni Ben-Hur, Barry Harris | E♭ Major | 3 | 5B | 130 BPM | ||
| Love Is Here To Stay | Marian McPartland | D Major | 2 | 10B | 75 BPM | ||
| Around The Corner | Barry Harris Trio | G Minor | 2 | 6A | 91 BPM | ||
| Barry's Tune | Dan Faulk Quartet, Barry Harris, Rufus Reid, Carl Allen | B♭ Major | 4 | 6B | 202 BPM | ||
| Lover Come Back | Grady Tate, Vick Dickenson, Illinois Jacquet, Barry Harris, Gray Sargeant, Slam Stewart | D♭ Major | 5 | 3B | 115 BPM | ||
| I'll Be Seeing You | Jonathan Kreisberg, Gary Versace, Matt Penman, Mark Ferber | C Minor | 2 | 5A | 135 BPM | ||
| Chelsea Bridge | Billy Strayhorn | A♭ Major | 1 | 4B | 76 BPM |