"The BattleScene I" by Arnaud Roy had its release date on October 24, 2014. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 27 in Endless Space (Original Game Soundtrack) by Arnaud Roy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, The BattleScene I is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The BattleScene I by Arnaud Roy is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Moribund People | Dynamedion | C Minor | 1 | 5A | 84 BPM | ||
| Mercenary's Rest | Breakdown Epiphanies | A Major | 3 | 11B | 130 BPM | ||
| Immaterial Breath (Umbral Choir Theme) | Arnaud Roy | D Minor | 2 | 7A | 100 BPM | ||
| Mirror of Comfort | Kristian Brastein, Markus Dahlslett, Caroline Fredriksen | B♭ Minor | 7 | 3A | 172 BPM | ||
| Road To Temptation | Two Worlds II | F♯ Minor | 2 | 11A | 77 BPM | ||
| Kingdom | Jonathan Mellon, Jonathan Mell | A♭ Minor | 3 | 1A | 85 BPM | ||
| A Welcome Respite | Jon Everist, Paradox Interactive | G Major | 5 | 9B | 100 BPM | ||
| In the Forests of Olympus | Marios Aristopoulos | G Minor | 0 | 6A | 82 BPM | ||
| Forest Ambient Theme | Esteban Mercado | E♭ Minor | 0 | 2A | 119 BPM | ||
| Dwynlei Terrace | Borough Bound | F Minor | 1 | 4A | 124 BPM | ||
| Circling | Joel Schoch | E Minor | 7 | 9A | 168 BPM | ||
| Dawn of Humankind 1 | Humankind Orchestra, Arnaud Roy, Alexandre Bobe | D♭ Major | 1 | 3B | 175 BPM | ||
| Festival Of Roses | Russell Shaw | A♭ Major | 1 | 4B | 73 BPM | ||
| Dance at the Festival | Bill Brown | D Major | 3 | 10B | 84 BPM | ||
| The Bovinian Derivative | Todd Masten, Semitone Media Group | D♭ Major | 7 | 3B | 90 BPM | ||
| A Nearly Peaceful Place | Krzysztof Wierzynkiewicz | G Minor | 3 | 6A | 77 BPM | ||
| Trials | Damjan Mravunac | E Minor | 2 | 9A | 80 BPM | ||
| The Road of Trials | Austin Wintory | E Minor | 4 | 9A | 76 BPM | ||
| Veni Vidi Vici | Philip Wareborn, Paradox Interactive | D Minor | 0 | 7A | 83 BPM | ||
| Port Telvannis | ASKII | B Minor | 2 | 10A | 128 BPM | ||
| Lost Cities | Arnaud Roy | A♭ Major | 4 | 4B | 144 BPM | ||
| Twin Elms | Justin Bell | E Minor | 1 | 9A | 69 BPM | ||
| Grazelands Dawn (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | G Minor | 2 | 6A | 141 BPM | ||
| A Brief Respite (Camp Theme) | Stuart Chatwood | D Major | 3 | 10B | 66 BPM | ||
| Way of the Forerunner | Arnaud Roy | D♭ Major | 4 | 3B | 99 BPM |