Mel Tormé's ' "Sent For You Yesterday (And Here You Come Today)" was released on its scheduled release date, October 27, 1962. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Sent For You Yesterday (And Here You Come Today)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mel Tormé's "I Dig The Duke, I Dig The Count" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of Sent For You Yesterday (And Here You Come Today) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sent For You Yesterday (And Here You Come Today) by Mel Tormé to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beyond the Sea | Kevin Spacey | D Minor | 5 | 7A | 138 BPM | ||
| Cheek to Cheek | Steve Tyrell | C Major | 4 | 8B | 150 BPM | ||
| How Important Can It Be - Remastered | Joni James | D♭ Major | 3 | 3B | 87 BPM | ||
| Danke Schoen | Wayne Newton | A Minor | 5 | 8A | 147 BPM | ||
| All That Jazz | Mel Tormé | C Minor | 2 | 5A | 147 BPM | ||
| Night And Day | Fred Astaire | C Major | 0 | 8B | 114 BPM | ||
| Twisted - Remastered 2015 | Annie Ross | C Minor | 5 | 5A | 83 BPM | ||
| Ole Buttermilk Sky | Hoagy Carmichael | D Major | 2 | 10B | 84 BPM | ||
| Day In - Day Out | Mel Tormé | G Minor | 1 | 6A | 134 BPM | ||
| Sincerely | The McGuire Sisters | D♭ Major | 2 | 3B | 75 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| Moonglow | Benny Goodman | A♭ Major | 2 | 4B | 105 BPM | ||
| Goodnight My Love | Rachael & Vilray | A Minor | 2 | 8A | 119 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| Ac-Cent-Tchu-Ate the Positive | Aretha Franklin | F Minor | 4 | 4A | 129 BPM | ||
| It Don't Mean A Thing (If It Ain't Got That Swing) | Ernestine Anderson | F Minor | 4 | 4A | 134 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| That Old Feeling | Mel Tormé | D♭ Major | 2 | 3B | 120 BPM | ||
| Beautiful Love | Anita O'Day | F Minor | 2 | 4A | 83 BPM | ||
| I've Got You Under My Skin | Mel Tormé | D Major | 3 | 10B | 126 BPM | ||
| Manhattan | Ella Fitzgerald | B♭ Major | 3 | 6B | 114 BPM | ||
| How Long Has This Been Going On? | Dorothy Dandridge | G Major | 1 | 9B | 128 BPM | ||
| Too Close For Comfort | Mel Tormé, The Marty Paich Orchestra | F Minor | 2 | 4A | 144 BPM | ||
| Stars Fell on Alabama | Renee Olstead | A♭ Major | 3 | 4B | 95 BPM | ||
| September Song (From the 1938 Musical Play "Knickerboker Holiday") | Jimmy Durante | G Major | 3 | 9B | 98 BPM |