Ambleside's 'Contact High' had a release date set for October 4, 2023. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 13 in Contact High by Ambleside. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Contact High's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Contact High by Ambleside is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Order Without Order | Deadlights | G Major | 10 | 9B | 96 BPM | ||
| Washed Out | Parting Ways | E Minor | 10 | 9A | 103 BPM | ||
| Enough | Galleries | F♯ Minor | 9 | 11A | 110 BPM | ||
| I Want to Let You Go but I Don't Want You to Leave (Hesitation) [Remastered 2024 Version] | I'll Get By | G Major | 9 | 9B | 75 BPM | ||
| Without Me | Aburden | G Minor | 9 | 6A | 120 BPM | ||
| Photographs | Heart In Hand | F♯ Minor | 8 | 11A | 93 BPM | ||
| Lost | Departures | A Minor | 10 | 8A | 140 BPM | ||
| Bliss | Vacant Home | E Minor | 9 | 9A | 95 BPM | ||
| Blacktop | Being As An Ocean | G Minor | 6 | 6A | 120 BPM | ||
| Stay | Perspectives | A Major | 9 | 11B | 82 BPM | ||
| Your Heart | The Comfort | D♭ Major | 10 | 3B | 128 BPM | ||
| Peony | Bouquet | F♯ Major | 8 | 2B | 155 BPM | ||
| The Rooms We Lived In | LASTELLE | G Minor | 9 | 6A | 160 BPM | ||
| Breathe | Sleep Talk | C Minor | 9 | 5A | 120 BPM | ||
| Pray I Fade | Endless Heights | A Minor | 10 | 8A | 147 BPM | ||
| Nothing Worth Keeping | Ghost Chant | F♯ Minor | 10 | 11A | 174 BPM | ||
| Slowly Dying With You | Whatever, Forever | D♭ Major | 9 | 3B | 160 BPM | ||
| Indian Summer | Chiefland | G Minor | 8 | 6A | 95 BPM | ||
| In Vain | To Kill Achilles | A Minor | 9 | 8A | 91 BPM | ||
| Deprime | The Comfort | E♭ Minor | 9 | 2A | 115 BPM | ||
| I Should Have Never Left | No Home | F Minor | 10 | 4A | 100 BPM | ||
| Teeth | Sleep Talk | F Major | 10 | 7B | 120 BPM | ||
| Making Maps | Departures | E Minor | 10 | 9A | 124 BPM | ||
| Learning to Let Go | Stepson | F♯ Major | 10 | 2B | 170 BPM | ||
| Everything All at Once | Deadlights | B Minor | 9 | 10A | 128 BPM |