"All in Twilight: IV. —" by Toru Takemitsu, Shin-ichi Fukuda had its release date on April 1, 2014. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. All in Twilight: IV. —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Takemitsu: Complete Original Solo Guitar Works". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, All in Twilight: IV. —'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With All in Twilight: IV. — by Toru Takemitsu, Shin-ichi Fukuda having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata for 2 Pianos, FP 156: III. Andante lyrico | Francis Poulenc, Pascal Rogé, Elena Font | G Major | 2 | 9B | 134 BPM | ||
| Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Boris Brovtsyn, Clara Jumi Kang, Eldar Nebolsin, Spectrum Concerts Berlin, Torleif Thedéen | C Minor | 0 | 5A | 111 BPM | ||
| Iberia, T. 105, Book 1: I. Evocación | Isaac Albéniz, Stephen Hough | A Major | 0 | 11B | 67 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Pie Jesu from Requiem, Op. 48 | Gabriel Fauré, Louis Lortie | B♭ Major | 0 | 6B | 74 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| Banish Sorrow | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | F Major | 1 | 7B | 102 BPM | ||
| 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
| 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | B♭ Major | 2 | 6B | 85 BPM | ||
| The Crimson Citadel / Surrendering the Castle (Desert of Madness) | Toru Takemitsu | A♭ Minor | 1 | 1A | 73 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | G Major | 2 | 9B | 134 BPM | ||
| The Threepenny Opera, Act II: Pollys Lied (Arr. for Piano by Florian Noack) | Kurt Weill, Florian Noack | B Minor | 0 | 10A | 110 BPM | ||
| Le Joie de Pierre-Auguste: Adagio. Como Cada Mañana Entre el Dolor y la Belleza... | Ramón Paus, Irene Cantos | G Major | 1 | 9B | 63 BPM | ||
| Anders Krisár: Letter to Johan | Anders Krisár, Roland Pöntinen | F Major | 0 | 7B | 71 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Elegy No. 1 in D Major | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | D Major | 0 | 10B | 89 BPM | ||
| Sonata for 4 Hands, FP 8: II. Rustique. Naïf et lent | Francis Poulenc, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 94 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | G Major | 2 | 9B | 134 BPM | ||
| 4 piezas españolas: I. Aragonesa (Allegro) | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM | ||
| Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
| Toward the Sea II: 2. Moby Dick | Toru Takemitsu, Patrick Gallois, Fabrice Pierre, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 69 BPM | ||
| Metaludios, Book VI: No. 1, Boojum | Gustavo Diaz Jerez | G Major | 2 | 9B | 134 BPM | ||
| Verdiana (Version for Clarinet & String Orchestra): II. Un bossa in maschera | Alexey Shor, Fabrizio Meloni, Kyiv Virtuosi, Daniel Raiskin | F Major | 3 | 7B | 81 BPM | ||
| Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 72 BPM | ||
| IDENTITY / Tōru Takemitsu: I. Adagio [Litany (In Memory of Michael Vyner)] | Toru Takemitsu, Alice Sara Ott | F♯ Major | 0 | 2B | 69 BPM |