Satoshi Hayashibe's '追伸' had a release date set for September 24, 2025. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 縁(えにし), so we believe that "追伸" is a single. Based on our statistics, 追伸's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 追伸 by Satoshi Hayashibe is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 針葉樹 | Goro Noguchi | C Major | 3 | 8B | 136 BPM | ||
| ソーラン鴎唄 | Sachiko Shiina | G Minor | 6 | 6A | 108 BPM | ||
| さよならが言えるまで | Takajin Yashiki | E♭ Major | 4 | 5B | 68 BPM | ||
| わたし祈ってます | タブレット純 | B Minor | 4 | 10A | 96 BPM | ||
| 恋恋歌 | 梅谷心愛 | A Minor | 7 | 8A | 83 BPM | ||
| 見返り美人 | 松原健之 | E♭ Minor | 5 | 2A | 140 BPM | ||
| 舫い舟 | Kazuko Mifune | A♭ Minor | 6 | 1A | 75 BPM | ||
| 我が身恨んで | 真田ナオキ | D♭ Minor | 6 | 12A | 153 BPM | ||
| どうしてこんなに好きなんだろう | 小川範子 | A Major | 4 | 11B | 146 BPM | ||
| 揺れてそちらへ | 大島由香里 | A Minor | 5 | 8A | 156 BPM | ||
| どんなに時が流れたあとも | THE JAYWALK | E♭ Major | 5 | 5B | 130 BPM | ||
| シルエット・ロマンス | CIRCUS | F Major | 2 | 7B | 143 BPM | ||
| 後ろ姿 | Satoshi Hayashibe | D♭ Major | 3 | 3B | 139 BPM | ||
| 赤いピアス | Shoji Koganezawa | A♭ Minor | 6 | 1A | 77 BPM | ||
| 愛は夜ひらく | すぎもとまさと | D Minor | 7 | 7A | 106 BPM | ||
| 大空と大地の中で | 真田ナオキ | B♭ Minor | 6 | 3A | 141 BPM | ||
| 夢追い鶴 | 北山たけし | B♭ Minor | 6 | 3A | 141 BPM | ||
| 南風 | Raymond Matsuya | F Minor | 9 | 4A | 114 BPM | ||
| 恋月夜 | Junpei Oda | A Major | 7 | 11B | 133 BPM | ||
| LIFE | Hiromi Go | D♭ Major | 5 | 3B | 184 BPM | ||
| もう言わないで | Shoji Koganezawa | E Major | 5 | 12B | 82 BPM | ||
| 気配 | Takao Kisugi | D Minor | 1 | 7A | 93 BPM | ||
| 夕月 | 原田波人 | E Major | 6 | 12B | 77 BPM | ||
| よろしかったら | Satoshi Hayashibe | D Minor | 6 | 7A | 152 BPM | ||
| 別れるまでの恋人 | Megumi Shiina | G Major | 3 | 9B | 141 BPM |