Royal Symphony Orchestra's ' "Hungarian Rhapsody No. 2" was released on its scheduled release date, November 14, 2019. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 48 in Classical Music Playlist - Best of Orchestra Themes, Vol. 1 by Royal Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Hungarian Rhapsody No. 2 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Hungarian Rhapsody No. 2 by Royal Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wolf and the Seven Young Goats: VII. The Wolf Attacks and Eats the Seven Young Goats | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Alexey Lundin | A Major | 1 | 11B | 87 BPM | ||
| Pathétique Piano Sonata, 2nd movement | Royal Symphony Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 85 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | E Major | 1 | 12B | 102 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| Prelude No. V | Aprelstein | F Minor | 0 | 4A | 113 BPM | ||
| Czardas | Vittorio Monti, Lakatos | D Minor | 3 | 7A | 104 BPM | ||
| Julius Fučík: Entry of the Gladiators, Op. 68 (Arr. for Piano) | Julius Fučík, Sequence Classics | C Major | 4 | 8B | 120 BPM | ||
| Perceptions No. II | Aprelstein | A♭ Major | 1 | 4B | 132 BPM | ||
| Radetzky March, Op. 228 | Johann Strauss I, Wiener Philharmoniker, Herbert von Karajan | A Major | 7 | 11B | 105 BPM | ||
| Les contes d'Hoffmann (the Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
| Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Thunder And Lightning Polka | Johann Strauss II, Sidney Torch, Sidney Torch And His Orchestra | G Major | 6 | 9B | 86 BPM | ||
| Maple Leaf Rag | Scott Joplin, Joshua Rifkin | A♭ Major | 2 | 4B | 90 BPM | ||
| L'Arlésienne Suite No. 2, GB 121b: IV. Farandole | Georges Bizet, Orquesta Reino de Aragón, Ricardo Casero | B♭ Major | 1 | 6B | 77 BPM | ||
| Conan the Barbarian | Royal Symphony Orchestra | G Minor | 5 | 6A | 128 BPM | ||
| Tico Tico No Fubá | Zequinha De Abreu, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 5 | 7B | 123 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 136 BPM | ||
| Heart of Fire | Lauren Bernofsky, Douglas Anderson School of the Arts Chamber Orchestra, Carol Griffin | A Minor | 2 | 8A | 135 BPM | ||
| Fantasia on the Russian Folksong "Korobeiniki" | Matvey Nikolaevsky, Mikhail Mordvinov | G Minor | 2 | 6A | 139 BPM | ||
| Caprice in A minor, Op. 1, No. 5 | Mayuko Kamio | A Minor | 3 | 8A | 176 BPM | ||
| Prelude No. I | Aprelstein | A Minor | 0 | 8A | 94 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |