"Jane Eyre, Act I: I can sing you know, Miss Eyre (Adele, Jane, Mrs. Fairfax, Rochester)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Andrew Slater, Beverley Mills, Fflur Wyn had its release date on September 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act I: I can sing you know, Miss Eyre (Adele, Jane, Mrs. Fairfax, Rochester) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jane Eyre, Act I: I can sing you know, Miss Eyre (Adele, Jane, Mrs. Fairfax, Rochester) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Andrew Slater, Beverley Mills, Fflur Wyn is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) | Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh | D Major | 2 | 10B | 109 BPM | ||
| Sonnet 18 | Bryan Ferry | E♭ Major | 1 | 5B | 59 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": II. Lento e Largo – Tranquillissimo | Henryk Górecki, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 3 | 5A | 76 BPM | ||
| Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
| Kingfisher & Dragonflies, Pt.3 | Karfagen | E♭ Minor | 0 | 2A | 94 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | C Major | 2 | 8B | 95 BPM | ||
| Mood for a Day | Steve Howe, David Palmer | D Major | 2 | 10B | 132 BPM | ||
| Les Pêcheurs de perles, WD 13: Prelude | Georges Bizet, Alexandre Bloch, Orchestre National de Lille | C Minor | 1 | 5A | 95 BPM | ||
| Waves - 2023 Remix | Richard Wright, Steven Wilson | A Minor | 4 | 8A | 110 BPM | ||
| Danse macabre, Op. 40, R. 171 (Transcr. for Solo Violin and Chamber Orchestra) | Camille Saint-Saëns, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
| Stravaganza: 2. Dreams & Drones | Karl Jenkins, Jess Gillam, Royal Philharmonic Orchestra | G Minor | 1 | 6A | 95 BPM | ||
| Variation XII Wanderer | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | A Minor | 4 | 8A | 82 BPM | ||
| Suite No. 2 for 2 Pianos, Op. 17: IV. Tarantella | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
| Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 [arr. For jazz ensemble] | Roberta Mameli, La Venexiana, Claudio Cavina | G Minor | 1 | 6A | 68 BPM | ||
| Put It Right | The Pineapple Thief | D Minor | 4 | 7A | 170 BPM | ||
| Cantata, BWV 150: Nach dir, Herr, verlanget mich (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 89 BPM | ||
| Ornament and Crime III | Bryce Dessner, Pekka Kuusisto | F Minor | 1 | 4A | 99 BPM | ||
| A Tiny Violin - Bonustrack | Klaus Schulze, Wolfgang Tiepold | E♭ Minor | 2 | 2A | 106 BPM | ||
| Hairless Heart - 2007 Stereo Mix | Genesis | B♭ Major | 4 | 6B | 121 BPM | ||
| Horizons - 2007 Stereo Mix | Genesis | G Major | 3 | 9B | 109 BPM | ||
| Cavern - Quintet for Bass Recorder and String Quartet: II. Tranquillo | Lachlan Skipworth, Genevieve Lacey, Australian String Quartet | F Minor | 1 | 4A | 129 BPM | ||
| Notes on the Loss of a Friend | Michael Berkeley, Madeleine Mitchell | A Minor | 1 | 8A | 113 BPM | ||
| Cantata, BWV 159: Es ist vollbracht (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B♭ Major | 0 | 6B | 136 BPM | ||
| Blackest Eyes - CLOSURE/CONTINUATION.LIVE | Porcupine Tree | D Minor | 3 | 7A | 95 BPM | ||
| Tunnel 13 | Mark Knopfler | B Minor | 2 | 10A | 78 BPM |