Pierre Henry, Michel Colombier's 'Psyche Rock - Metal Time Machine Edit By Ken Abyss' had a release date set for January 1, 1997. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Pierre Henry - Métamorphose-Messe pour le temps présent". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Based on our statistics, Psyche Rock - Metal Time Machine Edit By Ken Abyss's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Psyche Rock - Metal Time Machine Edit By Ken Abyss by Pierre Henry, Michel Colombier having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Know | Beak> | C Major | 4 | 8B | 156 BPM | ||
| Sueno | Warphus | F♯ Minor | 5 | 11A | 132 BPM | ||
| Messe de Liverpool: 5. Agnus Dei | Pierre Henry, Jacques Spacagna | G Minor | 1 | 6A | 66 BPM | ||
| Love Without Sound | White Noise | F Minor | 5 | 4A | 85 BPM | ||
| A Woman Can Take You To Another Universe - Sometimes She Justs Leaves You There | John Lurie | G Minor | 0 | 6A | 80 BPM | ||
| Como le digo. | mark | A♭ Major | 9 | 4B | 100 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Messe pour le temps présent: 3. Jéricho jerk | Pierre Henry, Michel Colombier | F Minor | 7 | 4A | 120 BPM | ||
| Sararevé | Bumcello | D♭ Major | 6 | 3B | 100 BPM | ||
| Shere Khan | Nino Nardini, Roger Roger | G Major | 5 | 9B | 125 BPM | ||
| Ombre Mirage | Syrduk | F Minor | 5 | 4A | 148 BPM | ||
| Vous et nous | Brigitte Fontaine, Areski Belkacem | E♭ Minor | 3 | 2A | 98 BPM | ||
| Thriller | Ruth | F♯ Major | 9 | 2B | 178 BPM | ||
| Mean Old Devil | Bruce Haack | D♭ Minor | 4 | 12A | 125 BPM | ||
| La Llarona | Kid Congo & the Pink Monkey Birds | B♭ Major | 4 | 6B | 118 BPM | ||
| Le Relax | Malian Musicians, Damon Albarn | F Major | 6 | 7B | 104 BPM | ||
| Death Dies, Pt. 2 - Film Version | Claudio Simonetti, Massimo Morante, Fabio Pignatelli, Walter Martino | A Major | 8 | 11B | 134 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| Pops Craps | Trapper Fade | A♭ Major | 6 | 4B | 114 BPM | ||
| Rectangle | Jacno | D♭ Minor | 5 | 12A | 115 BPM | ||
| Bold | QUEEN TSAKY | A Major | 8 | 11B | 169 BPM | ||
| Brutus Drum | Nino Nardini, Eddie Warner, Roger Roger | F Minor | 8 | 4A | 107 BPM | ||
| Tarot Will Teach You/Burn Your Money | Alejandro Jodorowsky | C Major | 1 | 8B | 122 BPM | ||
| Preludietto | Alessandro Alessandroni | C Major | 3 | 8B | 141 BPM | ||
| Lever Street | Death In Vegas | C Major | 4 | 8B | 175 BPM |