Adam Hurst's 'Waiting' had a release date set for January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wanderer by Adam Hurst. The song's track number on the album is #3 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Waiting is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Waiting by Adam Hurst has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Waiting being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Torrek | Hildur Guðnadóttir | G Major | 1 | 9B | 76 BPM | ||
| Gloomy Reminiscences | Tavlı | A Minor | 2 | 8A | 67 BPM | ||
| Meditation For Mabon | The Witchery | F Minor | 2 | 4A | 58 BPM | ||
| The Stolen Child | CLANN | E♭ Minor | 3 | 2A | 202 BPM | ||
| Ice Song | Max Ablitzer | G Minor | 0 | 6A | 174 BPM | ||
| Requiem for Cello Alone: IV. Lacrimosa | Peter Sculthorpe, Pieter Wispelwey | D Minor | 0 | 7A | 131 BPM | ||
| Magnificent, Isn't It (From "A Cure For Wellness" Soundtrack) | Benjamin Wallfisch | E Minor | 1 | 9A | 71 BPM | ||
| Beginning to End: Act II | Hendyamps Studios | C Minor | 1 | 5A | 82 BPM | ||
| Seeds | Adam Hurst | A♭ Major | 1 | 4B | 124 BPM | ||
| See Within | Cellofeggio, Lu Dimon | A Minor | 1 | 8A | 128 BPM | ||
| Eurytmi | Ola Claësson | E♭ Major | 0 | 5B | 168 BPM | ||
| Under Giant Trees | Agnes Obel | F Major | 2 | 7B | 201 BPM | ||
| Where the Light Goes | Josh Kramer | C Minor | 2 | 5A | 140 BPM | ||
| Departure (Lullaby) – The Quality of Mercy (From “The Leftovers” – Season 1 and 2) | Angèle Dubeau, La Pietà | C Minor | 1 | 5A | 92 BPM | ||
| Samhain Blessings (Meditation in 432 Hz) | The Witchery | D Minor | 2 | 7A | 94 BPM | ||
| Forever and Never | Peter Gundry | G Minor | 1 | 6A | 90 BPM | ||
| Walter - Main Theme | Hendyamps Studios, Aimee Norris | D Minor | 1 | 7A | 79 BPM | ||
| Silent Sky | Ilya Beshevli | A Minor | 1 | 8A | 127 BPM | ||
| Written In Stone | Ólafur Arnalds, Alice Sara Ott | E Minor | 2 | 9A | 82 BPM | ||
| Through the Valley (From "the Last of Us Part II") | The Wong Janice | B Minor | 2 | 10A | 84 BPM | ||
| First Meeting | Rob Lane, Klara Ketelaars, The Chamber Orchestra Of London | A Minor | 1 | 8A | 88 BPM | ||
| Mørketid | Martine Kraft, Adam Hurst, Johan Sara Jr. | G Minor | 3 | 6A | 172 BPM | ||
| Omens | Morgan Nichol | C Major | 4 | 8B | 120 BPM | ||
| Alchemy | Johnny Hollow | C Minor | 5 | 5A | 104 BPM | ||
| Somnolence | Arcana | D♭ Major | 0 | 3B | 67 BPM |