Bernardo Pasquini, Rinaldo Alessandrini's 'Toccata per lo Scozzese' had a release date set for April 1, 1991. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Toccata per lo Scozzese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #1. Based on our statistics, Toccata per lo Scozzese's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Toccata per lo Scozzese by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | ||
| Messa Delli Apostoli: Kyrye IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Rameau : La Guirlande : "La flûte est des soupirs le plus tendre interprète" [Myrtil, Chorus] | Jean-Philippe Rameau, William Christie, Cappella Coloniensis des WDR, Frauke Lukas | E♭ Major | 4 | 5B | 65 BPM | ||
| Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
| III. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger | A♭ Minor | 1 | 1A | 113 BPM | ||
| Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | ||
| Pastorale | Bernardo Pasquini, Sean Maxwell | B Major | 2 | 1B | 113 BPM | ||
| Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | D♭ Minor | 1 | 12A | 129 BPM | ||
| Scarlatti, A: Filli che esprime la sua fede a Fileno: III. Aria. "Chiedi pur ai monti" | Alessandro Scarlatti, Gérard Lesne, Il Seminario Musicale | F♯ Major | 3 | 2B | 103 BPM | ||
| Messe de Requiem: I. Introit | André Campra, Les Arts Florissants, William Christie, David Tricou, Matthieu Walendzik, Igor Bouin | G Major | 3 | 9B | 134 BPM | ||
| San Giovanni Battista: Deste un tempo | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 118 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | ||
| Requiem In C Major: XIV. Offertorium, Domine Jes | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase, Ian Honeyman, Dirk Snellings, Vincent Gregoire | A Major | 1 | 11B | 0 BPM | ||
| Oh Gottes Stadt, BuxWV 87 | Dietrich Buxtehude, Martin Platz, Wolfgang Katschner, Lautten Compagney | D♭ Minor | 1 | 12A | 129 BPM | ||
| Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve" | Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Minor | 2 | 3A | 119 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Confitebor tibi, Domine, RV 596: III. Terzetto, "Sanctum et terribile nomen ejus" | Antonio Vivaldi, Margherita Maria Sala, Valerio Contaldo, Alessandro Ravasio, Coro e Orchestra Ghislieri, Giulio Prandi | B Major | 1 | 1B | 110 BPM | ||
| Sonata a 8 viole con una tromba in D Major: II. Aria | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 90 BPM | ||
| Concerto grosso No. 2 in G Major: IV. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
| Signori con licenza (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | F Major | 2 | 7B | 88 BPM | ||
| Signora non è tempo di burlare troppo (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM |